by Kevin McLaughlin

Les Délices’ Christmas-themed program, this year titled “Noel, Noel,” offered many glimmers of cheer on Wednesday evening, December 20 at Holy Trinity Lutheran in Akron. But on their journey from the contemplative toward the celebratory, this serious band seemed more comfortable with the former than the latter.
The program grouped beloved carols, seasonal hymns, and seventeenth century instrumental variations into six sets, like stages on a Christmas journey, from “Darkness” through “Hope,” “Peace,” “Joy” and “Love,” to “Light,” with poetry readings in between. But the musicians’ devotion to skill and restraint came through the loudest.








“Bach is a goldmine in terms of repertory. It’s really the golden age of the oboe and the apogee of its repertoire. But it’s so rich for everyone and anyone,” oboist Debra Nagy said about Les Délices’ upcoming program, Rejoice! Bach Cantatas for Advent.
Rarely is there a program title as accurate as Les Délices’ “Winds of Change.” The program embraced the new and different in a variety of ways — referencing both specific events, like the French and Haitian revolutions, and broader ideas, like advocacy for composers of color. Originally presented as an online offering last season, on October 23 the concert proved it was certainly worth hearing live.
Why is it that people never seem to tire of 18th-century Scottish folk songs? The moment we hear the poems of