by Mike Telin

This week Les Délices will present the live premiere of “Song of Orpheus,” a program of musical works inspired by the Orpheus myth. [Read more…]
by Mike Telin
by Mike Telin

This week Les Délices will present the live premiere of “Song of Orpheus,” a program of musical works inspired by the Orpheus myth. [Read more…]
by Kevin McLaughlin

Les Délices’ Christmas-themed program, this year titled “Noel, Noel,” offered many glimmers of cheer on Wednesday evening, December 20 at Holy Trinity Lutheran in Akron. But on their journey from the contemplative toward the celebratory, this serious band seemed more comfortable with the former than the latter.
The program grouped beloved carols, seasonal hymns, and seventeenth century instrumental variations into six sets, like stages on a Christmas journey, from “Darkness” through “Hope,” “Peace,” “Joy” and “Love,” to “Light,” with poetry readings in between. But the musicians’ devotion to skill and restraint came through the loudest.
by Mike Telin
by Mike Telin

On Wednesday, December 20 at 7:30 pm at Holy Trinity Lutheran Church in Akron, Les Délices will present Noel, Noel, performed by Amanda Powell (soprano), Debra Nagy (recorder and direction), Julie Andrijeski and Allison Monroe (violins), Rebecca Landell (viola da gamba), Mark Edwards (organ), and Daniel Swenberg (theorbo and Baroque guitar). The program will be repeated on Thursday at West Shore Unitarian Universalist Church and Friday at the Cultural Arts Center at Disciples Church, both at 7:30 pm. Tickets are available online.
by Daniel Hathaway

After extensive opening remarks, the two organizations collaborated in “The Pow’r of Musick,” a two-hour concert intermingling works by English Baroque composer Henry Purcell with four contemporary choral pieces, two of them by members of Kaleidoscope. [Read more…]
by Mike Telin
by Mike Telin

Les Délices will launch their season next week by taking the award-winning SalonEra series to another level. On Saturday, September 23 at 3:00 pm at Heights Theater, audiences are invited to attend the debut of SalonEra Sessions with a program titled Songs for Social Justice. The 75-minute concert and conversation, hosted by Nagy, will feature countertenor Michael Walker and tenor Haitham Haidar, who will explore themes of identity and representation, struggle and resilience, and community and belonging. The event will be recorded, edited, and released as a SalonEra episode later in the season. During the program Walker and Haidar will be joined by Nagy (oboe), Rebecca Reed (cello), and Brian Kay (lute and oud).
by Stephanie Manning

That piece — Johannes Ockeghem’s Prenez sur moi — kicked off Les Délices’s recent program “Isabella’s Renaissance,” which celebrated the achievements of the renowned 15th-century art patron. Whether by patronage, performance, or study, the music on this hour-long concert was connected in some way to the Marchioness of Mantua.
The evening’s six sections each included two to three pieces, often sandwiching instrumental works in between vocal ones for a sense of balance. Smooth and simple stage changes led the audience at Lakewood Presbyterian Church on April 22 to instinctively hold their applause until the end of each section.
by Daniel Hathaway

Although the ensemble reinvented itself to some extent to weather the pandemic, Artistic Director Debra Nagy continues to return to its original, winning format: one-hour programs of French Baroque repertoire, assiduously researched, prepared, and performed by Cleveland’s finest period instrumentalists, usually featuring guest vocalists. [Read more…]
by Emmy Hensley
by Emmy Hensley

The ensemble will perform Bach’s Schwingt freudig euch empor and Nun komm der Heiden Heiland, along with Handel’s Concerto Grosso, Op. 3 no. 4 in F on December 2 through 4 around the Cleveland area. “All of the spaces will be beautiful for this program,” Nagy said. “The one-on-a-part texture will be really gorgeous and present in these spaces.”
The productions of Rejoice perfectly coincide with the first week of Advent, which began on November 27. Nagy also hinted that these performances are special in a multitude of ways. “I’m excited about the program because Les Délices has never produced Bach Cantatas. Plus, they are rarely heard in Cleveland in general. We have a unique opportunity to present these extraordinary pieces.” Click here for more information and to purchase tickets.
by Stephanie Manning

Sunday afternoon also featured a first-time venue for the ensemble: West Shore Unitarian Universalist Church in Rocky River. Though visually unassuming, the space delivered fantastic acoustics for small instrumentations. In the Quartet for flute and strings by Joseph Bologne, Chevalier de St. Georges, the gossamer sounds of Emi Ferguson’s flute resonated perfectly above a three-piece string accompaniment. Violinist Shelby Yamin, violist Allison Monroe, and cellist Rebecca Reed contributed a great sense of energy to the piece as they supported Ferguson.
by Mike Telin
by Mike Telin

On Saturday afternoon, September 24, Les Délices brought these images to life during their season opener, “The Highland Lassie.” The program mixed an entertaining set of songs steeped in romantic sentimentality, with fiddle tunes that made it impossible not to tap along. The venue — Dunham Tavern Museum — provided the perfect ambiance for the capacity crowd to sit back and enjoy the 60-plus minutes of top-notch performances that blurred the lines between folk song and art song.