by Jarrett Hoffman
Ask about something musically outside the box, and Malina Rauschenfels has probably done it. Yes, she’s played a work for cello with two bows. Yes, she’s performed as a dancing violinist. And yes, of course she’s premiered an upside-down flute duet — her own composition.
So when it comes to singing and playing an instrument at the same time, well that’s nothing for this vocalist and multi-instrumentalist, who co-directs Burning River Baroque along with harpsichordist Paula Maust.
Rauschenfels and Maust will bring that ensemble’s program of French Baroque cantatas and harpsichord solos — titled “At a Crossroad: Will You Live, Love, or Die?” — to three venues in Cleveland from Friday through Sunday. They’ll visit Historic St. John’s Episcopal Church on May 18 at 7:30 pm, Heights Arts on the 19th at 7:00 pm, and Mary Queen of Peace Church on the 20th at 4:00 pm, before heading to Berkeley, California for a performance on June 6.
Singers Companye, Samuel Gordon’s Akron-based chamber choir, gave three performances of its spring program “An Unclouded Day: A Celebration of Love” in Cleveland, Fairlawn, and Hudson on April 20, 22, and 28. In their first concert at Mary Queen of Peace Church in Cleveland’s Old Brooklyn neighborhood, they presented assured performances of modern choral works, including several by composers with Scandinavian and Baltic roots who write in expressive, opulent textures.