by Daniel Hathaway
When an ensemble’s programs are as carefully curated as those of Cleveland’s Les Délices, it makes perfect sense to preserve them nearly intact in the form of a recording. Age of Indulgence is a case in point. Presented twice in November of 2015, the program delivered everything the ensemble is known for: expert, accessible performances of French Baroque repertoire using a small number of players in inventive combinations, always chosen to make an artistic point without pretense or pedantry, and performed without intermission in the course of an hour and a quarter. [Read more…]
The truism holds that French aristocrats before the Revolution danced time away in utter complacency, refusing to change in the face of the inevitable. The image is probably true with respect to most things that would have mattered to those who stormed the Bastille. But in the world of music, things were changing decades before the Revolution. Writing within a framework of courtly elegance that would have pleased Marie Antoinette, composers were also pushing the boundaries of their music with wit, irony, turmoil, and glimmers of Romantic self-consciousness. 
The provocative title of Les Délices’ final program of the season alludes to two composers of the seventeenth-century: the “angelic” Marin Marais (read: pleasant and generous) and the “diabolical” Antoine Forqueray (read: self-centered and cantankerous). With all their differences, the angel and the devil can be strangely allied: both men were virtuosos on, and champions of the seven-string viol, the richly expressive bass instrument that characterizes much of early French baroque music. 
Now that the sun is finally beginning to melt some of Cleveland’s snow piles, the Cleveland-based band Les Délices reminds us of the wintry darkness from which we earnestly hope soon to emerge. In a departure from their usual repertoire — the secular music of the French baroque — the group served up a rich and satisfying feast of Lenten fare, a concert of sacred music for the Christian season of penitence and reflection. (This concert repeats on Saturday, March 7, at St. Peter’s Church, Cleveland (7:30 pm) and Sunday, March 8, at Plymouth Church UCC, Shaker Heights (4:00 pm).