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Rocky River Chamber Music Society: A celebration of friendship

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by Mike Telin

“The thing about this concert is that it’s grounded in friendship and family,” Rocky River Chamber Music Society board member Dan McKelway said during a telephone conversation.

On Monday, May 6 at 7:30 pm at West Shore Unitarian Universalist Church, Rocky River Chamber Music Society will host Cleveland Orchestra principals, clarinetist Afendi Yusuf and violist Wesley Collins, with pianist Dawoon Chung, in a program that will feature trios by Bruch, Mozart, and Robert Schumann. The concert is free. Click here to watch the livestream.

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Rocky River Chamber Music Society: Busch Trio from Amsterdam (Jan. 29)

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by Kevin McLaughlin

Making their Cleveland debut on Monday, January 29 in Rocky River Chamber Music Society’s already highlight-filled season, the Busch Trio showed itself to be an astonishing young ensemble. They brought youth and energy, yes (all are still in their twenties), but they also brought a fearlessness to their program — trios of Mozart, Ravel, and Tchaikovsky — and a level of musicianship and precision that made this reviewer’s jaw drop.

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Generosity and poise at the Rocky River Chamber Music Society (Nov. 6)

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by Kevin McLaughlin

Generosity and poise are two qualities a chamber musician would be fortunate to possess. Fortunately for those of us in attendance at West Shore Unitarian Universalist Church in Rocky River on Monday, November 6, cellist Keith Robinson and pianist Hyunsoon Whang are endowed amply with both, thus conveying only the pleasure of performance in two difficult cello sonatas — Barber’s early Op. 6 and Prokofiev’s late Op. 116. Whang also lent ease and grace to Brahms’ solo Intermezzo, Op. 118, No. 2, and clarinetist Daniel McKelway lent luster in the Brahms Trio, Op. 114 on the second half.

Poise was tested early, as no sooner had our musicians sat down to begin when a stentorian “Ah-choo!” boomed out from somewhere in the audience. Startled, Robinson nodded in the sneezer’s direction with a good-natured, “You scared me!” [Read more…]

Rocky River Chamber Music Society: a conversation with cellist Keith Robinson

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by Mike Telin

While it is common to discover that a trio of musicians all attended the same conservatory or university, it is not so common to discover that the trio all attended the same high school. “Hyunsoon and I were in high school together at the North Carolina School of the Arts,” cellist Keith Robinson said during a recent phone call. “In fact, Dan went there too.”

On Monday, November 6 at 7:30 pm at West Shore Unitarian Universalist Church, Robinson will be joined by pianist Hyunsoon Whang and clarinetist Daniel McKelway in a concert that includes Samuel Barber’s Cello Sonata in c, Sergei Prokofiev’s Cello Sonata in C, and Johannes Brahms’ Intermezzo in A, Op. 118, No. 2 as well as his Clarinet Trio. The free concert is part of the Rocky River Chamber Music Society series. Click here for the livestream.

Robinson, who is a founding member of the Miami String Quartet, noted that Monday’s concert will be his debut performance of the Prokofiev Sonata. “Hyunsoon and I have played the Barber and Rachmaninoff sonatas together and we were thinking about doing the same. Then we said, ‘Wait, let’s learn a new piece’ — it just makes it interesting for us.”

The cellist said that he has found the Prokofiev to be “really enchanting,” and that it complements Barber quite well. “They’re pretty close in age — Barber wrote his in 1932 and Prokofiev was in the late ‘40s. The Barber is dark and brooding, and the Prokofiev can be pretty funny at times. You can tell the Barber is heavily influenced by Brahms, and because it’s in the key of c-minor, it is dark.”

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Rocky River Chamber Music Society opens season with Stout premiere (Sept. 25)

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by Kevin McLaughlin

In a program of Cleveland discoveries on Monday, September 25, a lively crowd at West Shore Unitarian Universalist Church got to hear Richard Stout’s new work, Songs of Correspondence, based on letters of early 20th-century American author Willa Cather.

Featured performers were mezzo-soprano Nancy Maultsby, faculty at Baldwin Wallace, and the Poiesis Quartet (Sarah Ma and Max Ball, violins, Jasper de Boor, viola, and Drew Dansby, cello), who formed at Oberlin Conservatory and were Grand Prize winners of the 2023 Fischoff National Chamber Music Competition. The concert kicked off the Rocky River Chamber Music Society’s season. [Read more…]

Rocky River Chamber Music Society to present new work by Richard Stout

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 by Mike Telin

When you’re looking for a source of inspiration, sometimes you find it sitting right in front of you. Such was the case with Richard Stout. “I wanted to write some songs for mezzo-soprano and string quartet and I was looking for material,” Stout said during a phone conversation. “I looked at this book — Selected Letters of Willa Cather — that I had sitting at home that my mother had co-edited, and thought, ‘There’s some beautiful material in here.’”

On Monday, September 25 at 7:30 pm at West Shore Unitarian Universalist Church, the Poiesis Quartet — Sarah Ma and Max Ball (violins), Jasper de Boor (viola), and Drew Dansby (cello) — will join mezzo-soprano Nancy Maultsby to perform Stout’s Songs of Correspondence during the opening concert of Rocky River Chamber Music Society’s 2023-24 season. The program will also include Brahms’ String Quartet No.1 in c. The concert is free and will be livestreamed.

Stout, who is a member of The Cleveland Orchestra’s trombone section and a faculty member at Baldwin Wallace Conservatory, said that after he wrote the first few songs he realized that he should ask for permission to use the letters. [Read more…]

All-Stravinsky in Rocky River: variety and charm (May 15)

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by Kevin McLaughlin

Variety and charm abounded in an all-Stravinsky program at West Shore Unitarian Universalist Church Monday evening, May 15, presented by the Rocky River Chamber Music Society. How delightful to hear this repertoire — Stravinsky’s droll and cerebral inventions in small combinations — heard almost exclusively on conservatory or college programs these days. Top-flight musicianship on the part of Cleveland Orchestra members and fellow professionals helped make the case. Congratulations to trumpeter Amanda Bekeny and clarinetist Daniel McKelway for putting it all together.

The succinct duos that opened the program, Fanfare for a New Theatre for trumpets and Lied Ohne Name for bassoons, made a nice pairing for their length and affective dissimilarity. Where the trumpets skirmished, the bassoons chatted dispassionately — both in under a minute. Accurate and faithful playing of both works only left us wanting more.

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Rocky River Chamber Music Society goes all-Stravinsky for season closer

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by Jarrett Hoffman

Clarinetist Daniel McKelway and trumpeter Amanda Bekeny are familiar collaborators in a sense. Both are on the board of the Rocky River Chamber Music Society and both are frequent performers on the series — although it has never actually brought them face-to-face, instrument-to-instrument, bell-to-bell, onstage together at the same time for the same piece. Something they decided they ought to change.

To be fair, there isn’t a whole lot of music that could bring them together. But there is a pair of beloved pieces with unusual, colorful instrumentations, both by the same composer. “I don’t know which of us thought of it first, but there was an immediate idea of, ‘Wait a minute — Stravinsky,’” McKelway said during a recent interview.

They were thinking in particular of the Octet, which combines woodwinds and brass, and L’Histoire du Soldat (“Soldier’s Tale”), which brings together woodwinds, brass, strings, and percussion — plus narrator, telling the story of a soldier who strikes an ill-advised bargain with the devil.

Those two pieces and those two people — L’Histoire, the Octet, McKelway, and Bekeny — form the nucleus of the Rocky River Chamber Music Society’s season-ending concert, which will take place on Monday, May 15 at 7:30 pm at West Shore Unitarian Universalist Church. Attendance is free, and the concert will also be livestreamed. [Read more…]

New Morse Code at Rocky River Chamber Music Society

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by Mike Telin

For over a decade, the innovative duo New Morse Code — Hannah Collins (cello) and Michael Compitello (percussion) — have been creating projects that shed light on society’s pressing issues. These include The Emigrants, a documentary chamber work by George Lam, and dwb (driving while black), a chamber opera by Roberta Gumbel and Susan Kander.

The ensemble was recently named the inaugural grand prize winner of the Ariel Avant Impact Performance Prize, which supports the development and touring of new works that address sustainability goals and scientific innovation.

On Monday, March 13 at 7:30 pm at West Shore Unitarian Universalist Church, Rocky River Chamber Music Society will host New Morse Code in a program that will include works by Caroline Shaw, Sam Suggs, Andy Akiho, Osvaldo Golijov, Robert Honstein, Florent Ghys, and Viet Cuong. The concert is free.

I caught up with both the cellist and percussionist by phone and began our conversation by asking why they chose these pieces for their program. [Read more…]

Rocky River Chamber Music Society: The Butler Piano Trio (Feb. 6)

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by Kevin McLaughlin

On February 6, the Butler Piano Trio (Sandy Yamamoto, violin, Joshua Gindele, cello, and Colette Valentine, piano), treated the West Shore Unitarian Universalist Church audience to a compelling evening of generous and potent music making.

Abundantly evident in the performance of Rachmaninoff’s Trio élégiaque No. 1 — a cohesive single-movement work written when the composer was just nineteen — was the Butlers’ special chemistry. The group seemed to exhibit an extrasensory awareness of shared phrasing, expression, and rhythmic timing. Valentine managed Rachmaninoff’s virtuosic piano writing with ease, trading iterations of the elegiac theme with the strings in powerful combination. Three instruments were present onstage, but the music seemed to emit from a single voice.

Beethoven’s Trio in D, Op. 70, composed in 1808, is nicknamed “Ghost” for its eerie Largo movement. According to the unsigned program notes, Carl Czerny thought it evoked Hamlet’s meeting with the ghost of his father, but it was in fact part of Beethoven’s sketch for a never-completed Macbeth opera. The Butlers’ performance was taut and aptly unnerving. In the dramatic Largo the group relentlessly pressed the repeated rhythmic figure (triplet and sixteenths), conjuring a doomed march imposed by a spectral martinet. [Read more…]

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