by Stephanie Manning

On May 5 at West Shore Unitarian Universalist Church, the trio of local musicians delivered a wonderfully relaxing evening of chamber music by Johannes Brahms and Charles Koechlin. [Read more…]
by Stephanie Manning

On May 5 at West Shore Unitarian Universalist Church, the trio of local musicians delivered a wonderfully relaxing evening of chamber music by Johannes Brahms and Charles Koechlin. [Read more…]
by Stephanie Manning

The “Prelude” from Edvard Greig’s Holberg Suite whisked listeners away to Norway, with a melody surely familiar to many. It was extra familiar to the brass quintet themselves, who launched into their opening number without sheet music. Playing memorized is part of the group’s trademark, and they smoothly alternated using music and no music throughout the evening. Either way, the wide-ranging program had those at West Shore Unitarian Universalist Church spellbound.
Trumpet players Mary Elizabeth Bowden and Raquel Samayoa, horn player Layan Atieh, trombonist Lauren Casey-Clyde, and tuba player Robyn Black sounded equally comfortable in Romantic and contemporary repertoire, flipping between both with practiced ease. [Read more…]
by Kevin McLaughlin

But, lucky for us, we were. The program — clarinet trios by Mozart, Bruch, and Robert Schumann — brought together not only infrequently performed repertoire, but an obviously friendly group of collaborators.
by Kevin McLaughlin

Before the trio took the stage, a handful of instrumental and vocal performers drew welcome attention to non-brass works by Nicholas Puin, Matthew C. Saunders, Margaret Brouwer, and Andy Junttonen.
by Kevin McLaughlin

The succinct duos that opened the program, Fanfare for a New Theatre for trumpets and Lied Ohne Name for bassoons, made a nice pairing for their length and affective dissimilarity. Where the trumpets skirmished, the bassoons chatted dispassionately — both in under a minute. Accurate and faithful playing of both works only left us wanting more.
by Stephanie Manning

Sunday afternoon also featured a first-time venue for the ensemble: West Shore Unitarian Universalist Church in Rocky River. Though visually unassuming, the space delivered fantastic acoustics for small instrumentations. In the Quartet for flute and strings by Joseph Bologne, Chevalier de St. Georges, the gossamer sounds of Emi Ferguson’s flute resonated perfectly above a three-piece string accompaniment. Violinist Shelby Yamin, violist Allison Monroe, and cellist Rebecca Reed contributed a great sense of energy to the piece as they supported Ferguson.
by Jarrett Hoffman

Anton Reicha’s 24 woodwind quintets don’t have the most exciting reputation, but his Op. 88 in E-flat is superb: beautiful, varied, and in the right hands, compellingly picturesque. Those right hands (and left ones too) were those of flutist Mary Kay Fink, oboist Frank Rosenwein, clarinetist Robert Woolfrey, hornist Richard King, and bassoonist Barrick Stees, who together gave a first-rate performance, both deeply polished and deeply fun.
by Jarrett Hoffman

Five members of The Cleveland Orchestra’s wind section — flutist Mary Kay Fink, oboist Frank Rosenwein, clarinetist Robert Woolfrey, hornist Richard King, and bassoonist Barrick Stees — will come together on the stage of West Shore Unitarian Universalist Church on Monday, May 17 at 7:30 pm for a live-streamed concert that can be viewed on Facebook or YouTube.
On opposite ends of the program are woodwind quintets by Anton Reicha and Valerie Coleman, two composers who also come from opposite ends of the genre’s history. In between, pianist Christina Dahl will replace Fink to showcase a different but related species of quintet, represented here by Beethoven.
by Jarrett Hoffman

by Jarrett Hoffman

One of the performers that night was trumpeter and board member Amanda Bekeny, who now brings her Diamond Brass Quintet colleagues to West Shore Unitarian Universalist Church to open the series’ 62nd season on Monday, October 12 at 7:30 pm.
Joining Bekeny will be trumpeter Nina Bell, hornist Greg Hills, trombonist David Mitchell, and tubist J.c. Sherman. Their program, live-streamed only, will include works by J.S. Bach, Victor Ewald, Stravinsky, Eric Ewazen, and Anthony DiLorenzo, and can be accessed on Facebook or YouTube.
Phenomenal player, great teacher, superstar freelancer: those are the words that RRCMS music director Dan McKelway used to describe Bekeny back in May.
I’ll add to that a few adjectives of my own. First, humble — the trumpeter gave a hearty laugh after I shared McKelway’s “superstar” compliment. And second, down-to-earth — after a very short delay at the start of our Zoom call, she explained that she hadn’t had the right TV show on for her 3-year-old. (Apparently, Daniel Tiger’s Neighborhood wasn’t good enough.)