by Daniel Hathaway

by Daniel Hathaway

by Nicholas Jones

But antics gave way to artistry almost immediately as Ma took his seat and launched into the Elgar cello concerto, stamping its opening chords with a ferocity that would alternate with lyricism throughout the performance.
In 1919, Elgar’s cello concerto suffered from a disastrous first performance, and for almost half a century it was barely played. A key figure in its rediscovery in the late 1960s was the charismatic young cellist Jacqueline du Pré, who reinterpreted it as a document of introspection and anxiety for a world newly tossed by war and social change. One of the cellos that Yo Yo Ma regularly plays is the Davidov Stradivarius on which du Pré also performed. [Read more…]
By Daniel Hautzinger

By Guytano Parks

“Hooray for Hollywood” appropriately opened the program in an invigorating and colorful arrangement by John Williams. Kaufman’s direct, no–nonsense conducting served this syncopated and accented score well, for toe–tapping and hum–along music. [Read more…]
By Mike Telin

Tuesday Musical’s choice to present Gregg Kallor on the FUZE! Series is a bit ironic given that his performances and his music are a fusion of classical, jazz and improvisation. But finding commonality between seemingly dissimilar things is a natural part of who Kallor is. [Read more…]
by Daniel Hathaway

The orchestra is the Curtis 20/21 Ensemble, conducted by Vinay Parameswaran. Two of the pieces, Anna Clyne’s Prince of Clouds and David Ludwig’s Seasons Lost were specially commissioned for this recording project and completed in 2012.
The album begins with a vigorous performance of perhaps the most famous double violin concerto of them all, Johann Sebastian Bach’s Concerto in d, BWV 1043. Laredo takes the first solo part, but the two violinists are so sensitive to each other’s tone and style that it’s often difficult to tell who’s who. [Read more…]
by Daniel Hathaway
The Cleveland Orchestra’s new concert series, Summers@Severance, offers a one-hour-or-so performance by the orchestra on three Friday evenings at 7:00 pm, bracketed by a party with drinks and small plates served on the Front Terrace. The concept seems to have caught on quickly, and judging from the number of audience members snapping cell phone pictures of the Severance Hall interior, brought many first-time listeners to hear the Orchestra on opening night, August 1. [Read more…]