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Archives for November 2019

Cleveland Orchestra Youth Orchestra: conversations with Vinay Parameswaran & Annie Zhang

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by Mike Telin

When you’re the music director of a youth orchestra, one thing that goes with the territory is turnover in membership. “We had almost 50 students graduate last year,” Vinay Parameswaran said during a telephone conversation. “But the new players are all very talented and the level of commitment is as strong as ever, so I’m excited about our opening concert.”

On Friday, November 15 (note corrected date) at 8:00 pm in Severance Hall, Parameswaran will lead the Cleveland Orchestra Youth Orchestra (COYO) in a program featuring Sarah Kirkland Snider’s Something for the Dark, Sibelius’ Symphony No. 2, and Shostakovich’s Cello Concerto No. 1 with Annie Zhang as soloist. Tickets are available online.

Parameswaran, who is now in his third season as COYO’s music director, said that he first encountered Sarah Kirkland Snider’s music on the recommendation of some of his colleagues. “Something for the Dark is a wonderfully powerful piece that I was attracted to from the beginning.”

Written for the Detroit Symphony, the 12-minute piece explores a number of different moods. [Read more…]

TIMARA turns 50, and
there’s going to be a party

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by Mike Telin

There’s going to be a party at Finney Chapel on Saturday, November 16 beginning at 7:30 pm. The grand occasion marks the fiftieth anniversary of Oberlin Conservatory’s TIMARA (Technology in Music and Related Arts) program, the nation’s first conservatory program in electronic music.

“Olly Wilson taught the first electronic music course in 1969 and John Clough taught the first computer music class in the spring of 1970,” associate professor of computer music and digital arts Tom Lopez said during an interview. “We thought that 50 years was cause to celebrate.”

Organized by Lopez, the free Kaleidosonic Music Festival will feature nearly 500 musicians performing a variety of styles — gospel, classical, rock and roll, jazz, early music, marching band, serious, funny, and avant-garde.

“Kaleidosonic will be an epic celebration of music at Oberlin. It includes musicians and ensembles from the Conservatory, the College, and the community,” Lopez said. “We’re calling it a festival because it is more than a concert. It will be many hours long and the music will be non-stop — one big, long, sonic collage of ensembles, groups, and individual musicians. People can come and go as they wish and there will be food trucks available from 7:00 until 10:00.” [Read more…]

LCCC Signature Series to present pianist Awadagin Pratt on Nov. 18

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by Daniel Hathaway

Cincinnati-based pianist Awadagin Pratt will perform on the Lorain County Community College Signature Series on Monday, November 18 at 7:30 pm in the Cinema Hall at the Stocker Arts Center in Elyria. The free event is the annual Eva Hornyak Memorial Concert, for which Pratt will play Beethoven’s Sonata No. 31, Op. 110, Franck’s Prelude, Chorale and Fugue, and Liszt’s Sonata in b.

We last caught up with the pianist two years ago this month, before his performance on the Tri-C Classical Piano Series. In an interview with Jarrett Hoffman, Pratt talked about his training at the Peabody Conservatory (where he was the first to graduate with three diplomas — in piano, violin, and conducting), his prizes (he won the 1992 Naumburg Piano Competition and an Avery Fisher Career Grant two years later), his three visits to the White House (under presidents Clinton and Obama), and his appearance on Sesame Street (when he shared a piano with Big Bird).

I spoke with Awadagin Pratt by telephone at the Cincinnati College-Conservatory, where he teaches, and began by asking what’s been happening in his life during the last two years. [Read more…]

Akron Symphony to feature Brunfelt & Guegold in Vivaldi & Strauss

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by Jarrett Hoffman

This weekend, the Akron Symphony will spotlight two of its own. Concertmaster Tallie Brunfelt will take on the quadruple challenge of Vivaldi’s The Four Seasons, and principal horn Meghan Guegold will play Richard Strauss’s early Concerto No. 1 on Saturday, November 16 at 8:00 pm at E.J. Thomas Hall.

When Guegold was an 18-year-old student at the University of Akron, she was determined not only to learn the Strauss, but to play it memorized on that uncommon and ambitious event: the freshman recital.

“I thought, you know, I want to perform for a living, so I might as well jump right on in,” the hornist said during an interview.

That work, a pillar of the horn repertoire, wasn’t a surprising choice. “It’s definitely one of the best concertos we have,” Guegold said, adding that it might be the best from the Romantic era. The lyricism and the heroic quality of the writing attracted her. “I think it was the start of my real love of Strauss’s music.”

[Read more…]

Brunfelt, Guegold, and Wilkins on Akron Symphony’s “Stand Beside Her”

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by Jarrett Hoffman

The 19th Amendment to the U.S. Constitution was ratified in August of 1920, and leading up to the 100th anniversary of that event, the Akron Symphony is highlighting six women composers through a project called “Stand Beside Her.”

I spoke to concertmaster Tallie Brunfelt and principal horn Meghan Guegold — who will both be featured as soloists in the Orchestra’s November 16 concert — and asked what this programming initiative means to them.

“I’m just so thrilled that the ASO is doing this, especially in light of the centennial,” Brunfelt said by telephone. Being a woman at her position in the Orchestra makes this project all the more exciting for her. “There aren’t many female concertmasters, and I think representation and visibility are extraordinarily important,” she said.

[Read more…]

Fretwork viol consort at CMA: “Music from the Age of Michelangelo” (Oct. 23)

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by Nicholas Stevens

Spare a thought for Fretwork: a recent tour of North America hit a snag when an airline cracked one of their violas da gamba. Instruments of this family constitute the entire toolbox of the group, a viol consort that presents the fraternal twin to the violin as though it had never lost its cachet. For many Northeast Ohioans, warm feelings for the group remain fresh after a late-October concert, part of a tour that pitted them against all too modern perils. In a careless, rushing world, their meticulous musicianship and willingness to let music unfold feel less like dusty artifacts than like emblems of a future worth fighting for. [Read more…]

Ámà: The Gathering Place at The Cleveland Museum of Art

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by Mike Telin

When Nigerian sound and installation artist Emeka Ogboh first received the invitation from the Cleveland Museum of Art to create a work for the Ames Family Atrium, he didn’t have a notion of what the work would be. But when he made his first site visit to the Museum in February of 2018, the city’s winter weather became a source of inspiration. “It was grey and not so happy looking,” Ogboh said with a chuckle during a Skype conversation from his home in Berlin.

After spending time in the Atrium and observing how it functions as a gathering place for social activities, he began to think, “why don’t I bring something to Cleveland from Nigeria?” adding that if he had made his first visit in the summer “it would have been a different piece.”

If you have not had the opportunity to experience Ámà: The Gathering Place, you have a few more weeks to do so — the exhibit will remain on display through the first of December. Commissioned for the Atrium, the installation uses sound, sculpture, and textiles that capture the sense of a village square reminiscent of Ogboh’s birthplace in Enugu. [Read more…]

CIM Opera: Glass & Moran’s The Juniper Tree (Oct. 31)

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by David Kulma

If anyone is worried about the future of opera, all they have to do is attend a college production to calm the nerves. There are numerous highly-skilled young people ready to take up the genre’s mantle, as was clear from the Cleveland Institute of Music Opera Theater’s production of The Juniper Tree in Mixon Hall on Halloween weekend. I attended opening night on Thursday, October 31, which was dedicated to the memory of the late Cleveland arts icon A. Grace Lee Mims. Artistic director Dean Southern chose a relatively recent work composed in 1984 by Philip Glass and Robert Moran. With a libretto by Arthur Yorinks, The Juniper Tree takes its plot from a grim tale by the Brothers Grimm. [Read more…]

BW’s Dido and Aeneas at RED Space (Oct. 24)

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by David Kulma

We live in an age where opera, no longer restricted to theaters and concert halls, is happening in every place imaginable. This was the case when Baldwin Wallace Opera Theater presented two performances of Henry Purcell’s Dido and Aeneas at RED Space in downtown Cleveland. I attended on Thursday, October 24. Lasting about an hour and with roles that you can divide up between seven women and two men, Dido is perfect for female-dominated college voice programs. But how do you make it work in a cement box? [Read more…]

Les Délices: “Mozart & Beethoven Quintets” at Lakewood Congregational (Nov. 2)

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by Daniel Hathaway

No longer just a French Baroque ensemble, Les Délices has recently branched out into earlier and later musical periods and crossed national borders. In the latest development, founder, artistic director, and oboist Debra Nagy invited fortepianist Sylvia Berry and three period wind instrument colleagues — clarinetist Colin Lawson, bassoonist Wouter Verschuren, and hornist Todd Williams — to join her in well-known quintets from the Viennese Classical period.

[Read more…]

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