by Daniel Hathaway

We’ve just received news of the death of Kathleen Shamp (pictured, right) on June 10 at the age of 93. The Wooster native served as music librarian at the Cleveland Public Library for 50 years (1950-2000), sang with the Cleveland Orchestra Chorus under George Szell and Robert Shaw (1954-1974), and served on the music staffs of Epworth-Euclid (now University Circle) United Methodist and Plymouth churches. A Memorial Service will be held at 11:00 am on Saturday, July 24 at the University Circle United Methodist Church, 1919 E. 107th Street. Read an obituary here.
Pianist Conrad Tao will replace Benjamin Grosvenor with Dame Jane Glover and The Cleveland Orchestra on Sunday evening, July 11 at Blossom, and the Mozart concerto has been changed to No. 23 in A, K. 488.
The Cleveland Philharmonic announces auditions for the new season under music director Victor Liva. Openings are available in all string sections as well as percussion and oboe. Details here.
The Cleveland Institute of Music has named Alison King as its first-ever Director of Digital Media. She comes to CIM from the Curtis Institute of Music in Philadelphia, where she served as director of marketing and business development.
HAPPENING TODAY:
Round One, Session Two of the Cleveland International Piano Competition will be conducted via pre-recorded videos made from around the world. Tune in at 7:00 pm to hear Lucas Thomazinho (25, Brazil), Zhi Chao Juli Jia (29, China), Jiarui Cheng (22, China), and Yedam Kim (32, South Korea). It’s free.
The next-to-last ENCORE Chamber Music Institute Concert of the season features guitarist JIJI, with Jinjoo Cho, Sibbi Bernhardsson and Minhye Choi, violins, Stephen Wyrczynski, viola, and Max Geissler, cello in “Sparked by Frida [Kahlo].” Music by Albeniz, Ponce, Isabella Leonarda, Villa-Lobos, Piazzolla, Frantz Casseus, Boccherini, and Roland Dyens. The in-person event begins at 7 pm in the Dodero Center for the Performing Arts at Gilmour Academy in Gates Mills. [Read more…]




TODAY’S EVENTS:
It was March 20, 2020, when The Cleveland Orchestra and Franz Welser-Möst gave their last concert as a complete ensemble before the COVID-19 pandemic shut down live performances for more than a year. The Orchestra, with guest conductor Brett Mitchell, returned triumphantly to Blossom Music Center on July 3 and 4 to celebrate Independence Day. I attended on July 4.
Composer and flutist Hong-Da Chin has carved out a unique career. His music is influenced by folk music from his native Malaysia as well as Chinese and Indian cultures. A specialist in contemporary music, he is equally at home on modern and traditional Chinese flutes.
ChamberFest Cleveland’s simplest concert this season was also its most daunting. The 90-minute program on June 18 at St. Paschal Baylon involved only one performer and one piece — pianist Roman Rabinovich in Bach’s
Provided that everything clicks in today’s complicated puzzle of international travel, British conductor Dame Jane Glover will make her Blossom debut with The Cleveland Orchestra in an all-Mozart program on Sunday evening, July 11. And if no visa or transportation difficulties intervene for him as well, she’ll be joined by British pianist Benjamin Grosvenor in the composer’s d-minor concerto. The evening will begin with the K. 136 Divertimento for strings, and conclude with Symphony No. 40 [see update below].
Now that in-person concerts are becoming the rule rather than the exception, Apollo’s Fire is scheduling three local performances of “Bach, Vivaldi, and Friends!” from July 10-14, and taking shows on the road to four summer festivals: Tanglewood, Chautauqua, Caramoor, and Ravinia.

VOTE FOR YOUR LOCAL ORCHESTRA
When programming concerts like her July 9th performance for ENCORE, guitarist Jiji Kim aims to show the evolution of music while also highlighting the throughlines that connect music across the ages. She tends to start her performances with Baroque material, then moves through the 1800s to the modern era and her own compositions, demonstrating “how music has changed, transitioned throughout the centuries — but also has the same feeling of connection, or emotional relevance.”