by Daniel Hathaway

Founder Jeannette Sorrell will welcome soprano Sonya Headlam and violinist Francisco Fullana for music by Mozart — the Don Giovanni Overture, Exsultate, Jubilate, and the “Haffner” Symphony, No. 35 — nestled among two works by Joseph Bologne, Chevalier de Saint-Georges: an aria from L’Amant anonyme and a violin concerto.
The venues symbolize the stature the period instrumental ensemble has attained in mainstream concert music, as well as its determination to bring performances out into the community. I reached Jeannette Sorrell for a Zoom conversation last week to gather her thoughts about the past three decades, and to muse about what lies ahead for an organization that started in a sheep barn on Cleveland’s East Side but now enjoys access to some of the world’s premiere performance spaces and summer festivals. (The sheep barn is still among them.) [Read more…]




Flutist Jessica Sindell has the distinction of being one of the few members of The Cleveland Orchestra who are native Clevelanders. A graduate of Western Reserve Academy, she was a member of the Cleveland Orchestra Youth Orchestra from 2005 to 2007. Since 2018 Sindell has served as the Orchestra’s assistant principal flute, a position she calls “her dream job.”
When Moonhee Kim’s violin teacher said he wanted her to learn the Prokofiev Violin Concerto, she was hoping he would say the second one. Of the composer’s two concerti for the instrument, No. 2 is more commonly performed, and it was the one Kim was most familiar with. But Concerto No. 1 was what he had in mind — and as it turns out, that was the perfect choice.
Concluding this season’s Family Concert Series, The Cleveland Orchestra will use both theater and music to shine a spotlight on the singular figure of Joseph Bologne, Chevalier de Saint-Georges — composer, violinist, conductor, fencer, colonel, and abolitionist.
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IN THIS EDITION:
IN THIS EDITION: