by Nicolette Cheauré

Through a mix of instrumental and vocal chamber music featuring Sarah Beaty (mezzo-soprano), Brian Skoog (tenor), Mari Sato (violin and narration), Eliesha Nelson (viola), and Shuai Wang (piano), Brouwer offers a study of the range of human emotion. [Read more…]



Textile artist Jodi Kanter has developed a second career as a musical impresario. As artistic director of M.U.S.i.C. (Musical Upcoming Stars in the Classics), she heads a non-profit organization that searches out talented young musicians, gives them the opportunity to perform in concerts they curate themselves, and compensates them for their services.
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Violinist Alexi Kenney was in his early twenties when he made his ChamberFest Cleveland debut. Still, his résumé up to that point was already impressive. He had won the Concert Artists Guild Victor Elmaleh Competition, had given recitals at the Kennedy Center in Washington D.C., and was the recipient of top prizes at the Yehudi Menuhin International Competition and the Mondavi Center Competition.
“The piece that you’re going to hear is not the piece that I wanted to write,” composer Yevgeniy Sharlat said during an interview.
Amber Rogers is no stranger to overcoming logistical hurdles. As Executive Director of the Cleveland Federation of Musicians’ Local 4 Music Fund, she is in her second year of coordinating She Scores — a concert series solely dedicated to living female composers. Rogers is grateful that her series has been renewed and revitalized in a big way.
“Man is born to trouble as the sparks fly upward,” a line from The Book of Job, inspired the title of a full-length opera that received its Cleveland premiere last weekend at the Maltz Performing Arts Center. I saw the last of four performances on Sunday afternoon, June 12.
Violinist
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