by Guytano Parks

Tanya Ell’s brief introductory commentary offered enlightening comparisons between the two works, and the musicians played excerpts to illustrate the similarities and influences, revealing Mendelssohn’s deep reverence for Beethoven and his fascination with the late a minor quartet. The title of his song Ist es wahr? (Is it true?, op. 9, no. 1) is written into the score and it forms the motif of the opening Adagio, appearing in all four movements. Similarly, Beethoven wrote the title of his song Muss es sein? (Must it be?) into the score of op, 132.
The Omni Quartet’s performance of Mendelssohn’s a minor Quartet (written during his teen years) was a model of perfection, teeming with flawless intonation, impeccable ensemble and interpretive taste and intelligence. [Read more…]



This past Saturday evening the Youngstown Symphony presented the season’s last classical music program with a twentieth-century musical emphasis. Soprano Kendra Colton served as guest artist for the evening in a performance of Samuel Barber’s poignant Knoxville: Summer of 1915.
ClevelandClassical is pleased to announce that Chicago native Daniel Hautzinger has been named the 2014 ClevelandClassical.com Young Writers Fellow. The two-month summer fellowship is designed for young writers who wish to hone their skills and prepare for careers on the new frontiers of musical journalism.
At the performance by the Pavel Haas Quartet on April 8, the Cleveland Chamber Music Society announced the seven concerts to be presented during its 65th season. All performances will begin on Tuesdays at 7:30 pm at Plymouth Church in Shaker Heights.

If you don’t know violinist Miranda Cuckson, you should. Cuckson, who has firmly established herself as one of the foremost interpreters of contemporary music — especially on the east coast — presented two area concerts last week at LCCC’s Signature Series (March 31) and CMA@ Transformer Station (April 1). I heard the Transformer Station concert.
Ross Duffin and the twenty voices of Quire Cleveland turned their attention to nearly three hundred years of American music on Sunday afternoon at Historic St. Peter Church in downtown Cleveland, visiting some well-known tunes in lesser-known packaging and dusting the cobwebs off some fine music that deserves to come down out of the attic and be heard once again.
Brazilian vocal sensation Kenia wants to remind audiences of one thing about Friday’s Cleveland Orchestra Friday’s @ 7 post-concert: “Remember to bring your dancing shoes,” she exclaimed. “People should expect to take a little trip to Brazil and I’d love it if they would close their eyes and find themselves transported to Rio in the midst of Carnival.”