by Jarrett Hoffman

There’s pop music by Queen, Bill Withers, the Beach Boys, and Daft Punk that’s been adapted for orchestra. There’s traditional classical music by J.S. Bach and Bizet that’s been infused with Latin jazz and minimalism. And there’s contemporary music by Gabriella Smith and Valerie Coleman, two living composers with a clear interest in combining different styles.
In a recent conversation on Zoom, conductor, co-founder, and co-artistic director Jacomo Bairos said that Nu Deco’s interest in stylistic variety started simply “as a hook.”




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A clarinet and a string quartet are the traditional components of a clarinet quintet, an instrumentation that has spawned widely performed works by composers such as Mozart, Brahms, and Coleridge-Taylor.
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In Hindu tradition, there is a sacred site near Allahabad, India, where three rivers meet: the Ganges, the Yamuna, and the mythical Saraswati, thought to be invisible or perhaps underground. The confluence of those three rivers is known as Triveni Sangam — a name that three virtuosos of Indian classical music have borrowed to describe their new collaboration and the confluence of styles it represents.
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The next program from CityMusic Cleveland was dreamed up by Miho Hashizume, and stems from two of the violinist’s experiences over the past few years: teaching strings in Slavic Village, and encountering the poetry of Cleveland-born writer and activist Weatherspoon.