by David Kulma
It was another enjoyable movie night at Blossom Music Center with The Cleveland Orchestra on Saturday, August 4. On offer was The Little Mermaid (1989) — a film which had kicked off the rebirth of Disney animated musicals through the ‘90s. Conducted by Sarah Hicks to sync with five gigantic screens and a packed lawn full of families, The Cleveland Orchestra brought Alan Menken’s magical music to life.
by Jarrett Hoffman
When you’re dialing the number of one of twenty living polymaths (according to The Economist), it’s easy to feel a little uneasy. As it turns out, Stephen Hough is funny, kind, and generous — in addition to having a few brain cells up there.
Our conversation eventually made its way to Mendelssohn’s First Piano Concerto, which he’ll perform at Blossom with The Cleveland Orchestra and conductor James Gaffigan on Saturday, August 18 at 8:00 pm. But first, the pianist, composer, writer, and painter tackled some complicated and personal questions about his varied artistic self.
Hough’s first novel, The Final Retreat, was published in February (read his article about it in The Tablet here). His latest CD, a collection of miniatures titled Dream Album, includes his original music and was released in June.
by Jarrett Hoffman
“The Cleveland Orchestra, no matter who’s conducting it, is an extraordinary instrument and an extraordinary group of human beings,” said conductor James Gaffigan during a recent telephone conversation.
Chief Conductor of the Luzerner Sinfonieorchester, Gaffigan will lead a concert at Blossom this Saturday, August 18 at 8:00 pm — a reunion from his time as the Orchestra’s Assistant Conductor from 2003 to 2006.
“The Cleveland Orchestra was the main teacher in my career,” the conductor said. “They’ve have helped mold my way of thinking about conducting an orchestra, and my concepts of sound, transparency, and what an orchestra can do. I think The Cleveland Orchestra is the definition of a great, versatile orchestra.”
by David Kulma
A glorious evening of music titled “Audra McDonald Sings Broadway” featured that justly famous soprano performing with The Cleveland Orchestra and conductor Andy Einhorn. The July 29 program at Blossom Music Center included a variety of songs from musicals famous and rare, from the works of Rodgers & Hammerstein to living composers.
by Timothy Robson
On Sunday, August 5 at Blossom Music Center, The Cleveland Orchestra played a concise and musically satisfying program of works by three Czech composers: Smetana, Janáček, and Dvořák. British conductor Michael Francis led the stylish performance. With the temperature hovering around a sweltering and humid 87 degrees at concert time, the male members of the orchestra sensibly doffed their usual white dinner jackets for shirtsleeves. Even the tree-surrounded — and usually cooler — Blossom grounds failed to provide much relief from the midsummer heat.
by David Kulma
Having recently turned 91, Herbert Blomstedt is practically an institution in himself, with a career spanning more than six decades. On Saturday, July 28, he returned to Northeast Ohio to lead The Cleveland Orchestra at Blossom Music Center in two canonical symphonies by Mozart and Brahms. The “Jupiter” was so smooth and straightforward as to pass by unremarkably, while the stirringly passionate performance of Brahms 4 showed how a seasoned conductor with a top-flight orchestra can achieve magic.
by Alice Koeninger
Time Canvas Ensemble will cap off their Home Not Home concert trilogy with four performances of “Hip Hop and Minimalism,” featuring hip-hop artist and mental health advocate Archie Green (left). Three house shows will take place on Thursday, August 9 and Friday the 10th at 6:30 pm, and on Sunday the 12th at 4:00 pm. RSVP through their website and get an email with the house address the day before. A fourth performance will take place at Historic St. John’s on Saturday, August 11 at 8:00 pm — buy tickets here.
In a phone interview with Time Canvas guitarist and executive director Joshua Stauffer, he described how the title Home Not Home relates to hip-hop and minimalism through the African American experience. “Many people don’t feel at home, or completely welcome in their own country,” he said. The Ensemble — which also includes violinist and artistic director Chiara Stauffer and cellist Robert Nicholson — thought that this phenomenon was important to include in their discussion of refugees and what it means to call a country home, especially in a city like Cleveland that is becoming so gentrified.
Stauffer said he thought of Green right away because of his work advocating for mental health in the African American community in Cleveland. Time Canvas is excited to collaborate with him while he raps over and in between minimalist pieces such as John Cage’s In a landscape and Philip Glass’s Mad Rush. Stauffer emphasized that since he is not black, he could not speak to the African American experience, and that Time Canvas’s goal as an ensemble is to “get out of the way” and give Green a platform to speak. “We’re just giving him a lot of paint and putting up a canvas and saying, ‘Go for it!’”
by Robert Rollin
Kent Blossom presented its fifth and final faculty series program in Ludwig Recital Hall last Wednesday, August 1. The evening’s highlight was the gorgeous performance of Charles-Marie Widor’s Sonata for Cello and Piano in A by Richard Weiss, Cleveland Orchestra first assistant principal cello, and Joela Jones, Cleveland Orchestra keyboardist.
by Daniel Hathaway
For his final performance with Master Singers Inc., the Akron-based chorus he founded 17 years ago, conductor J.D. Goddard will lead two of his all-time favorite works by Johannes Brahms — the Fourth Symphony and A German Requiem. The free concert, featuring some 70 singers and full orchestra, will take place on Sunday, August 12 at 3:00 pm in SS. Cosmas and Damian Church in Twinsburg.
Goddard and his singers have logged some impressive statistics over the years, having performed 61 major works, 71 world premieres, and 22 American premieres. “That’s what I set out to do,” the 73-year-old conductor said in a telephone conversation. “All I wanted to perform was classical choral literature and world premieres. There are many very good choral organizations out there that do pops and barbershop — far more than sing classical music— but I tell people up front that our motto is ‘preserve the past and premiere the future of classical choral literature.’ Come sing with us and see if that’s for you.”
The conductor’s invitation to ‘come sing with us’ is one of Goddard’s guiding principles. “We have an open-door policy and there are virtually no auditions,” he said. “Some conductors want to audition people out, but we audition to include, not exclude.” That system seems to have worked for nearly two decades, and to some extent, his singers self-select themselves. “The majority of people who come and sit in on a rehearsal don’t come back because they realize it really is just classical music.”
by Mike Telin
The sounds of Russian music will fill Blossom Music Center on Saturday, August 11 at 8:00 pm when Vasily Petrenko leads The Cleveland Orchestra in Liadov’s Baba-Yaga, Rachmaninoff’s Rhapsody on a Theme of Paganini and Prokofiev’s Symphony No. 5. Tickets are available online.
The concert also marks the return visit to the Blossom stage by pianist Simon Trpčeski. “I made my Cleveland Orchestra debut at Blossom playing Rachmaninoff’s second concerto and it was an honor to be asked to perform that same piece the following year on the subscription series at Severance Hall,” the pianist said by telephone from California, where he was premiering a new concerto at the Cabrillo Festival of Contemporary Music.
“It’s not just my opinion, but Cleveland is one of the top orchestras in the world, and Blossom is such a beautiful venue. This time I am playing a different concerto, but it is by the same composer,” the Macedonian pianist said. “And to play it with my good friend Vasily — we’ve played and recorded all of the Rachmaninoff concertos — is going to be a fantastic musical journey.”
