by Nicholas Stevens
For all its diversity, Russian music often seems to boil down to a few key figures when it comes to concert programming. Statistics confirm this: in the 2016-2017 season, most of the music written between 1850 and 1969 that American orchestras played was Russian in origin. When Vasily Petrenko appeared with The Cleveland Orchestra last weekend at Blossom, the iconic works on the program by Rachmaninoff and Prokofiev fit that pattern. The power and freshness of the August 11 concert came from its rarity of an opener, its sparkling solo performance, eloquent encore, and shattering symphonic moments. [Read more…]