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From “Jaws” to “Harry Potter,” Cleveland Orchestra performs John Williams’ iconic film scores (Feb. 14)

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by Kevin McLaughlin

This article was originally published on Cleveland.com

CLEVELAND, Ohio — On Valentine’s Day evening, Keith Lockhart ignited the Cleveland Orchestra and wooed the packed house at Severance Music Center in a retrospective, The Music of John Williams.

Friday evening was an indulgence — a trip down movie lane and performances by an orchestra at its most vivid, thanks to Williams’ ingenious scoring and Lockhart’s energized conducting.

Lockhart’s close link to Williams through the Boston Pops Orchestra, having succeeded him there as music director 30 years ago, showed in his innate understanding of the music and sure-handedness on the podium. Excerpts from “Jaws,” “Star Wars,” “Indiana Jones,” “E.T.” and “Harry Potter,” along with lesser-known Williams scores, made for an impressive showcase. Lockhart also engaged the audience with several amusing stories he had in his back pocket about Williams’ early days as a film composer.

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St. Olaf Choir shines at Severance (Feb. 10)

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by Kevin McLaughlin

Guided by tradition, a palpable joy of singing, and their venerable conductor, Anton Armstrong, the St. Olaf Choir showed on Monday, February 10 at Severance what a choral concert can accomplish.

Concerts by this young choir from Northfield, Minnesota — approaching the end of this year’s fifteen-stop tour — have a cumulative and moving effect. It is the nostalgia of collegiate choral singing in general, but also the awareness of St. Olaf’s storied tradition, the procession of purple robes, swaying bodies, and held hands. It is also the sound: the blend and technique of their voices — bright, expressive, coordinated — and their obvious and present joy in what they are doing.

Anton Armstrong, who may be approaching choral hall of fame status, is in his thirty-fifth year as choral conductor at St. Olaf, and only the fourth director of its Choir in a venerable line going back to 1912. He spoke infrequently but well: just when we were wondering if he would do so at all, he found a microphone and drew our attention to the themes of the program — chosen just after the last election — as commentary on “the times” we are in, the need to come together as a nation, to be kind to one another, and to find common ground.

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Anthony McGill & Emanuel Ax on Oberlin’s Artist Recital Series (Feb. 5)

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by Kevin McLaughlin

The crackle in the air on February 4 was perhaps more or less routine for clarinetist Anthony McGill and for Oberlin’s Artist Recital Series, which always seems to bring out the best in performers. But still, his kind of artistry doesn’t come along every day. Add to it pianist Emanuel Ax’s exquisite contributions, and you had a real night to remember in Finney Chapel.

Robert Schumann’s Fantasiestücke Op. 73 (Fantasy Pieces) are heard with equal pleasure performed on clarinet (Schumann’s original) or cello. But McGill showed the advantages of his instrument with his branded suppleness, his crayon box full of sound colors, and a chameleon’s ability to be heard or veiled at will.

The duo emphasized the picturesque over the dramatic in these three miniatures — Schumann originally entitled them “Soirée Pieces.” [Read more…]

Cleveland Jazz Orchestra and Musical Theater Project (Jan. 25)

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by Kevin McLaughlin

Many things about George and Ira Gershwin’s 1930 show Girl Crazy set it apart — the cast of future superstars (Ginger Rogers and Ethel Merman), the creativity of the Gershwin brothers, the artistry of orchestrator Robert Russell Bennett — all distinguishing it as a landmark musical. But in the Cleveland Jazz Orchestra and The Musical Theater Project’s ninth annual collaboration on Saturday, January 25 at the Maltz, the songs were the stars.

Though the weather outside was frightful, your heart would have to have been frozen solid not to be affected by songs like “I Got Rhythm,” “Embraceable You,” “Bidin’ My Time,” “But Not For Me,” and “Boy! What Love Has Done to Me” — songs memorable, charming, and tender, that set Girl Crazy apart as one of Broadway’s most endearing scores.

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Pahud and Bax perform magnificently for Cleveland Chamber Music Society (Jan. 21)

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by Kevin McLaughlin

At the latest Cleveland Chamber Music Society’s concert at Disciples Church on Tuesday evening January 21, flutist Emmanuel Pahud and pianist Alessio Bax, performed magnificently, but also made quite an impression on the young audience, perhaps for years to come.

Pahud, the longtime principal flutist of the Berlin Philharmonic and something of a rock star in the flute world, received a Beatles-like reception from the many flute students in attendance. There were shrieks of excitement and standing ovations, and at intermission an extended period of selfie-taking and high fives with the star.

Established and new works by J.S. Bach and Nicolas Bacri were featured, as well as transcriptions of violin pieces by Mozart, Clara Schumann, and César Franck by Pahud. [Read more…]

Cleveland Chamber Collective: Music of America VII (Jan. 12)

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by Kevin McLaughlin

In a program titled Music of America VII held on Sunday, January 12 at Disciples Christian Church in Cleveland Heights, the Cleveland Chamber Collective presented a concert of attractive and varied new music, inspired by sounds from around the globe —  India to Buenos Aires and Bali to Manhattan.

At two and a half hours, the program might have stood a trimming, but it would be hard to know what to cut — the works and performances by familiar and rising Cleveland professionals were uniformly splendid. Director Ty Alan Emerson served as gracious host as well as stagehand and impresario.

In Reena Esmail’s Blaze, a duo for violin (Emily Cornelius) and tabla (Dylan Moffitt) much of the intensity came from Cornelius’s relationship to Moffitt’s exact playing — we were drawn in by the quietness of Moffitt’s tabla and by Cornelius’s attention to it. The two drifted in and out of sync, with the violinist both captive to and rebelling against the insistent rhythm, even while she conjured enigmatic extremes of darkness and ecstasy.
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Cleveland Orchestra celebrates Coretta Scott King in uplifting and joyful MLK concert (Jan. 19)

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by Kevin McLaughlin

This article was originally posted on Cleveland.com

CLEVELAND, Ohio — Coretta Scott King, the wife of Dr. Martin Luther King, Jr., was the focus and inspiration for The Cleveland Orchestra’s 45th Martin Luther King, Jr. Celebration Concert, held at Severance Music Center on Sunday, January 19.

Outstanding performances by conductor Daniel Reith and The Cleveland Orchestra, soprano soloist Laquita Mitchell, conductor Dr. William Henry Caldwell and the Martin Luther King Celebration Choir, and graceful narration by Aseelah Shareef helped to cast refreshing new light on the great Civil Rights leader, author, wife, and mother.

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The Kings Brass at Federated Church (Dec. 22)

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by Kevin McLaughlin

The King’s Brass celebrated Christmas in bright and merry fashion with their trademark —  pop-tinged arrangements of Christmas carols, hymns, and sing-alongs — on Sunday, December 22, as part of the Federated Church Performing Arts Series in Chagrin Falls.

The ensemble has been led for 47 years by Tim Zimmerman, who was a genial host and fine trumpeter. The well-blended group of nine musicians — Tim Zimmerman, Gregory Alley, Anthony Sanders (trumpet), Kyle Davidson, Kolbe Schnoebelen (trombone), Nate Petersen (bass trombone), Jacob Fulkerson (tuba), Colton Morris (percussion), and Rebecca Edmiston (piano/organ) — acquitted themselves well under Zimmerman’s leadership.

The arrangements, most of them by Zimmerman himself, suffered a little from sameness, but nevertheless supplied plenty of Holiday zip and opportunities for the brass to shine. [Read more…]

Northwest Ohio Vocal Arts Ensemble at Cleveland Heights’ Church of the Savior (Dec. 15)

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by Kevin McLaughlin

The fifteen singers of the Northwest Ohio Vocal Arts Ensemble (NOVA) gladdened the heart at Cleveland Heights’ Church of the Saviour on Saturday, December 15, in a program drawing from Medieval chant, early Renaissance, and 20th-century settings.

Artistic director Kevin S. Foster and his Toledo-based choir presented a comforting and relatable version of the Nativity story in a sequence of hymns, motets, and carols collectively called “Songs of Wonder: The Nativity Through the Ages.”

Even for the non-religious, the antiquity of the repertoire, the grandeur of the building,  and the winsomeness of the singing all worked in combination to evoke a collective sentiment, a shared sense of seasonal memories, and a timeless message of peace and good will. [Read more…]

Canadian Brass dazzles Severance with holiday magic and musical mastery (Dec. 23)

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by Kevin McLaughlin

This article was originally published on Cleveland.com

CLEVELAND, Ohio — The Canadian Brass brought its customary brilliance and easy rapport to Severance Music Center on Monday night, in their holiday program “Make Spirits Bright.”

There was plenty of fun to be had for sure, but unlike the frivolity of Canadian Brass concerts of the 1970s and ‘80s, this was a more disciplined product.

Playing their trademark tune, “Just a Closer Walk,” they marched in New Orleans-style from the back of the hall, dressed in black suits and white Nikes. Then a Christmas carol quickly followed. But that light music — maybe the lightest on the program — was soon unmasked as being not an opening number, but an encore. “You can never take those for granted,” explained tubist Chuck Daellenbach, the group’s only remaining original member.

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