ClevelandClassical.com Header
Ad
Ad
Ad

Barber’s Violin Concerto: a conversation with Jung-Min Amy Lee

by

by Rory O’Donoghue

Whether performing with the Omni Quartet or soloing with The Cleveland Orchestra, violinist Jung-Min Amy Lee takes the same approach. “The orchestra is just a bigger setting for chamber music,” the associate concertmaster said in an interview last weekend. “It’s the same ideas, transfigured.”

Lee will get to flex those elevated chamber music chops this Saturday, August 10 at 8:00 pm at Blossom Music Center, where she will perform Barber’s enigmatic Violin Concerto with The Cleveland Orchestra. I got the chance to catch up with the busy violinist and discuss her upcoming performance. 

[Read more…]

Mozart’s “Great” Mass: A conversation with Lisa Wong

by

by Rory O’Donoghue

This Friday, August 2 at 7:00 pm in Severance Hall, the Blossom Festival Chorus will join The Cleveland Orchestra for a one-off performance of Mozart’s “Great” Mass in c-minor. Last Sunday, the Chorus and Orchestra brought the house down at Blossom in their Aretha Franklin tribute concert, with vocalists Capathia Jenkins and Ryan Shaw in the spotlight.

“It’s a busy summer in Cleveland,” Director of Choruses Lisa Wong said over the phone last week, “but it’s a fun one.” I got the chance to talk with Wong by telephone about her work with The Cleveland Orchestra Choruses in anticipation of this Friday’s concert, the latest installment of their Summers@Severance Series.

Rory O’Donoghue: How did you get started in choral music?

Lisa Wong: Interestingly, the very first choral and orchestral piece that I ever encountered was this Friday’s selection, Mozart’s Mass in c-minor. I sang it as an undergraduate music student, and we had a guest conductor who came to our university and worked with our choruses for that concert. It was a singularly influential moment in my life — I was so inspired by this wonderful conductor. As it turned out, that was the late Robert Page, who was director of choruses for The Cleveland Orchestra at the time. I didn’t know what that title meant, exactly, but I knew how inspired I was by the way this music bubbles up with emotion.  [Read more…]

The Cleveland Orchestra at Blossom: Pepe Romero and a storm at sea (July 21)

by

by Rory O’Donoghue

When Thierry Fischer stepped onto Blossom Music Center’s stage on July 21, he began conducting so quickly, it was almost like the music started before he got to the podium. The concerts that weekend marked the Cleveland Orchestra debut of the Swiss conductor, who was announced only days before as a last-minute substitute for an unwell Pablo Heras-Casado. He led the Orchestra adeptly through a program of popular pieces.  [Read more…]

Musical Upcoming Stars in the Classics: 23rd Classical Cabaret (July 18)

by

by Rory O’Donoghue

“It’s always inspirational to hear vocalists, because that’s really how music is supposed to sound,” Cleveland Orchestra cellist Brian Thornton said as he got settled on stage at Orange Village Hall on July 18. He performed as part of M. U. S. i. C.’s (Musical Upcoming Stars in the Classics) 23rd Classical Cabaret, A Midsummer Night’s Dream, which featured a lovely lineup of vocal and instrumental music by both professional and emerging musicians. [Read more…]

Conrad Tao with The Cleveland Orchestra: Barefoot is better (July 13)

by

by Rory O’Donoghue

New research published in The New York Times last week touts the benefits of going barefoot, based on case studies in Kenya, but the scientists could have simply attended a Conrad Tao performance instead, and reached the same conclusion. The pianist bounded onstage with unshod feet at Blossom on July 13 to play Prokofiev’s Piano Concerto No. 3 with The Cleveland Orchestra conducted by Jahja Ling — and it was miraculous. [Read more…]

Kent Blossom: Spencer Myer joins the Miami String Quartet (July 10)

by

by Rory O’Donoghue

The Miami String Quartet brought a traditional approach to works by Haydn, Beethoven, and Bruch during their performance on July 10 as part of Kent Blossom Music Festival’s Faculty Concert Series. The group delivered their old-school sound with exuberance, and welcomed acclaimed pianist Spencer Myer to shine in the Beethoven.  [Read more…]

Blossom: Rhapsody in Red, White, and Blue with The Cleveland Orchestra (July 6)

by

by Rory O’Donoghue

As the lights dimmed and conductor Roderick Cox readied his baton, the boisterous crowd at Blossom hushed in anticipation of pianist Aaron Diehl’s take on Gershwin’s Rhapsody in Blue on Saturday, July 6. Everyone knows the opening clarinet lick — the low velvet trill, the raucous rise — but this time, a surprise! A bird rose from somewhere behind the percussion section and dive-bombed the first violins. A few players scattered amidst the kerfuffle, shouting, before a valiant audience member somehow snatched the bird out of the air and marched it out of the pavilion to great applause. Cox restored order and clarinetist Afendi Yusuf’s solo bloomed from the back of the orchestra. [Read more…]

“A rip-roaring good time”:
Yolanda Kondonassis talks about
Jennifer Higdon’s Harp Concerto

by

by Rory O’Donoghue

For Yolanda Kondonassis, premiering a new concerto is an on-going project. 

“The whole mechanism of getting pieces played isn’t always factored into the commissioning of a piece,” the world-renowned harpist said by phone from New York. “You’ve got to premiere music, and then launch it. It’s like the last scene of Raiders of the Lost Ark, where after risking everything, the precious artifact gets hoisted up on a forklift and chucked onto the top shelf of the National Archives to gather dust — that’s sadly what happens to so many pieces of music. There’s a big difference between having the music, and having the music stay alive.”  [Read more…]

Tri-C JazzFest: A celebration of the music of Tadd Dameron (June 28)

by

by Rory O’Donoghue

The Clayton-Hamilton Jazz orchestra brought a lively set to the Ohio Theatre on Friday, June 28 as part of Tri-C JazzFest. Joined by the incomparable talent of Dianne Reeves and trumpetist Dominick Farinacci, the evening was a joyous celebration of Cleveland-born jazz legend Tadd Dameron.  [Read more…]

Legends share the stage at JazzFest: Béla Fleck & The Flecktones and John Scofield’s Combo 66 (June 28)

by

by Rory O’Donoghue

“I wouldn’t be here without this man,” pianist/harmonica player Howard Levy said, gesturing to Béla Fleck. “I wouldn’t be here without me either,” Fleck retorted. 

With bassist Victor Wooten and percussionist and “drumitarist” Roy “Future Man” Wooten, they form the “extraordinary initial lineup” of Béla Fleck & The Flecktones. The quartet closed the night on June 28 at the KeyBank State Theatre, a Tri-C JazzFest double-feature that opened with John Scofield’s Combo 66. It was an evening of legends, only getting better with age.  [Read more…]

Follow ClevelandClassical.com

Contact us