This article was originally published on Cleveland.com
by Stephanie Manning | ClevelandClassical.com
CUYAHOGA FALLS, Ohio — When Leslie Odom Jr. emerged at Blossom Music Center midway through “Fly Me To The Moon,” which he had started offstage, the ensuing medley immediately set the tone for the evening. Preferring to let his vocals do all the talking, on Sunday, July 21, the singer’s concert with The Cleveland Orchestra was two almost-nonstop hours of musical delight.
Odom may be best-known for his Broadway pursuits, particularly for originating the role of Aaron Burr in Lin-Manuel Miranda’s smash-hit Hamilton. But he’s a true, multi-hyphenated artist who has made forays into Hollywood, television, and solo recordings. His Blossom setlist attested to his versatility, bringing together arrangements of jazz standards, pop hits, and his original material.
In between their already-packed schedule at Blossom Music Center, the musicians of The Cleveland Orchestra appeared at their usual venue — Severance Music Center — for an exciting offering on July 11. Returning after a five-year absence, the Summers at Severance series kicked off with a high-quality evening of Mandel Concert Hall debuts.
Choosing a mausoleum as a concert venue might imply a more somber occasion, but the atmosphere was distinctly lighthearted at the Classically Lake View concert on July 7. Held in the Lake View Cemetery’s Community Mausoleum on a sunny Sunday afternoon, a string quartet of Cleveland Orchestra members and an Oberlin student guitarist presented a spirited program of chamber music by Black composers.
Given Imani Winds’ active touring schedule, it’s not unusual to see the group revisit the same part of the U.S. within a few months. So while it might feel like the wind quintet was just here for their March performance in Oberlin, July 3 saw them return to Northeast Ohio to appear on the Kent Blossom Music Festival’s Faculty Concert Series in Ludwig Recital Hall. Thankfully, this proximity was no issue — Imani is a group worth hearing again and again.
Four years on from pandemic disruptions, some ensembles are still working on returning to 100% of their pre-2020 programming. Case in point from this summer: The Cleveland Orchestra, which is reviving its Summers at Severance series for the first time in five years.
