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Pre•Views

Steven Daigle previews Ohio Light Opera July openers

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by Mike Telin

Now that the Ohio Light Opera is just past the midpoint of its 2024 season, there are still two titles to add to its repertoire. Franz Lehár’s The Count of Luxembourg opens on Thursday, July 11 at 2:00 pm, and the curtain rises on Lionel Monckton’s and Howard Talbot’s The Arcadians on Thursday, July 18 at the same hour. Both are staged by OLO’s artistic director Steven Daigle and will be conducted by Wilson Southerland.

“I always gravitate to operettas,” Daigle said during a telephone interview earlier this summer. “I think it’s because when I started here at OLO, my first show was Emmerich Kálmán’s The Gypsy Princess. Because of my background in directing opera and as an educator dealing mostly with classical music, it really represents the diffusion of all things wonderful about lyric theater.”

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Backstage at Ohio Light Opera: it’s a team effort

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by Mike Telin & Daniel Hathaway

Over the years, we have written many previews and reviews of Ohio Light Opera productions. But we’ve never taken the opportunity to sit and chat with a selection of company members who represent the many areas of expertise needed to mount six productions in repertory.

We asked OLO artistic director Steven Daigle to suggest a group of colleagues who would be willing to participate in an informal roundtable discussion about how all the moving parts come together for a summer of lyrical theater.

After seeing the second performance of Guys and Dolls on June 12, we returned to Freedlander Theatre later that evening to meet up with music director Michael Borowitz, choreographer, director & cast member Spencer Reese, returning cast member Maggie Langhorne, first-summer cast member Kate Bilenko, and assistant production manager & scenic designer Daniel Hobbs.

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Conductor Oksana Lyniv to make Cleveland Orchestra debut

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by Mike Telin

Conductor Oksana Lyniv has been riding a wave of firsts during the past few years. In July 2021, she became the first woman to lead a performance at the Bayreuth Festival. In 2022, she became music director of the Teatro Comunale in Bologna, Italy, the first woman to serve in that position. And this past February, she became the first Ukrainian to conduct at the Metropolitan Opera.

This week, Lyniv will continue her string of firsts when she makes her Cleveland Orchestra debut on Thursday, July 11 at 7:00 pm at Severance Music Center. The program, which is part of the Summers at Severance series, includes Leoš Janáček’s Suite from The Cunning Little Vixen, Sergei Rachmaninoff’s Rhapsody on a Theme of Paganini with Inon Barnatan as soloist, Borys Lyatoshynsky’s Grazhyna, and Igor Stravinsky’s Suite from The Firebird. Tickets are available online.

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Kent Blossom faculty concerts continue with Poiesis Quartet

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by Daniel Hathaway

The Poiesis Quartet, founded during Oberlin Conservatory’s Advanced Quartet Seminar program in fall 2022, has been on an award-winning roll beginning with the Grand Prize in the Fischoff National Chamber Music Competition (2023) as well as Fischoff’s Senior Strings Gold Medal and the Lift Every Voice prizes, and the Gold Medal and BIPOC Prize at the 2023 St. Paul String Quartet Competition.

Most recently, they won the Louis & Susan Meisel Competition, which put them on the Concert Artists Guild roster for management in North America.

The Quartet — violinists Sarah Ma & Max Ball, violist Jasper de Boor & cellist Drew Dansby — have also been appointed to the faculty of the Kent Blossom Music Festival, and will hold master classes and give a 7:30 recital on Wednesday, July 10 in Ludwig Recital Hall at Kent State University. [Read more…]

The Cleveland Orchestra revives Summers at Severance series

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by Stephanie Manning

Four years on from pandemic disruptions, some ensembles are still working on returning to 100% of their pre-2020 programming. Case in point from this summer: The Cleveland Orchestra, which is reviving its Summers at Severance series for the first time in five years.

“As we’ve been coming back to ‘normal,’ there is definitely an appetite for more of our classical offerings during the summer,” artistic administrator Michael Gandlmayr said in a recent interview. While the Orchestra’s home at this time of year is unquestionably Blossom Music Center, performing a few times at Severance Music Center gives audiences more options to enjoy their programming. “It’s also a great opportunity for us to see some new and returning faces, both on the podium as well as soloists.”

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Kent Blossom faculty concerts continue with the Imani Winds: a chat with clarinetist Mark Dover

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by Daniel Hathaway

The 2024 GRAMMY® winner in the Classical Compendium category for Jeff Scott’s Passion for Bach and Coltrane, Imani Winds have led both a revolution and evolution of the wind quintet for over a quarter of a century.

Their adventurous programming, imaginative collaborations and outreach endeavors have inspired audiences of all ages and backgrounds.

Tonight at 7:30 pm in Ludwig Recital Hall, the Kent/Blossom Music Festival will present the Imani Winds. Tickets available online.

I caught up with Imani’s clarinetist Mark Dover yesterday by phone to ask about the ensemble’s residency and this evening’s repertoire.

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Genre-Bending Pahua at CMA’s City Stages

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by Max Newman

“It’s everything. To have a project like this is something that makes you evolve as a human.”

That’s how Mexican DJ, producer, percussionist, and vocalist Paulina Sotomayor describes her Pahua project which bridges the gap between alternative electronic music and Latin rhythms.

On July 10 at 7:30 pm she will bring her talents to the Cleveland Museum of Art’s Transformer Station as part of CMA’s City Stages series of free outdoor concerts that feature the best in global music.

And Pahua certainly is that. With over fifteen million streams on music platforms, the artist is thrilled about the upcoming concert. “It’s my first time in Cleveland. I am really excited and we are going to try to do something super special.”

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Conductor Brett Mitchell returns to Blossom Music Center

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by Mike Telin

“To say that once again being asked to conduct The Cleveland Orchestra at Blossom is an honor would be a gross understatement,” Brett Mitchell said during a telephone interview. “I am not often at a loss for words, but there really aren’t any to describe how much it means to me.”

On Saturday, July 6 at 7:00 pm Mitchell will return to the Blossom podium to lead The Orchestra in Leonard Bernstein’s Three Dance Episodes from On the Town, William Grant Still’s Symphony No. 1, “Afro-American,” and Samuel Barber’s Overture to The School for Scandal. The program also includes George Gershwin’s Rhapsody in Blue in Béla Fleck’s transcription for banjo and orchestra with Fleck as soloist. Tickets are available online.

Mitchell said he loves Rhapsody in Blue. But when the Orchestra told him that they didn’t want the symphonic version that is often played by orchestras he thought they might be considering the original Paul Whiteman jazz band version. “It turned out that what they wanted was Béla Fleck’s transcription where he plays the piano part on the banjo.”

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Classically Lake View chamber series celebrates Justin Holland — Cleveland’s forgotten composer

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by Mike Telin

Set on 285 acres on Cleveland’s East Side, Lake View Cemetery’s wonderful landscapes, beautiful gardens, and artful monuments make it a serene final resting place as well as a tranquil retreat for the living to reconnect with nature.

On Sunday, July 7 at 3:00 pm in the Community Mausoleum, the recently created Classically Lake View chamber music series will present “Cleveland’s Forgotten Composer, Guitar Hero, and Abolitionist, Justin Holland.”

Under the artistic direction of Cleveland Orchestra violinist Isabel Trautwein, the program spans over 280 years of chamber music by Black composers, including Joseph Bologne, Justin Holland, Scott Joplin, Florence Price, William Grant Still, George Walker, and Thomas Flippin. Performers include guitarist Damian Goggans, violinists Liyuan Xie and Isabel Trautwein, violist Eliesha Nelson, and cellist Tanya Ell. The emcee will be Jennifer Coleman, Program Director for Creative Culture and Arts at the Gund Foundation. Tickets are available online.

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At last, Jason Vieaux to make ChamberFest Cleveland debut

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by Mike Telin

This week guitarist Jason Vieaux will make his long-awaited ChamberFest Cleveland debut, appearing in three separate concerts. “We’ve tried for many years, but it always conflicted with other dates that I already had on my calendar. So it’s really great that we can finally do something together.”

On Wednesday, June 26 at 7:30 pm in Mixon Hall at the Cleveland Institute of  Music, Vieaux will play Luigi Boccherini’s Guitar Quintet No. 4 in D (“Fandango”). The piece is one of the most popular works in the guitar chamber music repertoire and one that he’s recorded with the Escher Quartet.

Why is it so popular? “My guess is that it’s because of the third movement — the famous Fandango that gets played on radio stations around the country. But I think what really brings it over the top is when the cellist plays the castanets. It’s just one of those works that presenters like to program.”

[Read more…]

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