ClevelandClassical.com Header
Ad
Ad
Ad

Re•Views

Cleveland Orchestra presents world premiere of poignant, Cleveland-inspired work by Allison Loggins-Hull (May 8)

by

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Composer Allison Loggins-Hull spent the past three years immersing herself in the city of Cleveland as The Cleveland Orchestra’s Daniel R. Lewis Composer Fellow. Drawing on her interactions with residents and community organizations, her valedictory composition, Grit. Grace. Glory., is a sonic celebration of the city she recently called home.

The piece, co-commissioned by the Toronto Symphony, received its world premiere by Franz Welser-Möst and The Cleveland Orchestra on Thursday, May 8, at Severance Music Center. The 22-minute work was the rightful centerpiece of the evening, interposed between symphonies by Mozart and Prokofiev.

[Read more…]

Escher String Quartet at Wayne Center for the Arts (May 3)  

by

by Kevin McLaughlin

The Escher String Quartet, performing as a trio on Saturday, May 3, due to the injury of its second violinist, offered a beautiful plan “B”: a trio of trios by Schubert, Dohnányi, and Beethoven. Violinist Adam Barnett-Hart, violist Pierre Lapointe, and cellist Brook Speltz delivered engaging and refined performances in the intimate space at the Wayne Center for the Arts in Wooster.

The group’s thinning and their positioning in front of the stage due to a lightbulb outage might have bothered a lesser ensemble, but the Escher players carried on with expansive lyricism and technical bravado throughout the evening. [Read more…]

Cleveland Chamber Music Society Shostakovich Cycle: five concerts by the Jerusalem Quartet (Apr. 21–30)

by

Reviews by Kevin McLaughlin, Daniel Hathaway, & Stephanie Manning

To celebrate its 75th anniversary, the Cleveland Chamber Music Society engaged the dauntless Jerusalem Quartet to play a complete cycle of Dmitri Shostakovich’s fifteen string quartets. The works were performed in chronological order over five evenings in Gartner Auditorium at the Cleveland Museum of Art.

The performances were treated like an art exhibition accompanied by an elaborate, 45-page catalog full of documentation about the composer, whose life and career under the Soviet system left an indelible mark on his music. A timeline that runs along the bottom of the program pages helped put Shostakovich’s compositions in historical context. [Read more…]

Cleveland Orchestra Youth Orchestra wraps up season with emotional performances (May 4)

by

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Spring is always the season of farewells for the Cleveland Orchestra Youth Orchestra (COYO). Twenty-nine of the middle- and high school musicians who performed in Mandel Concert Hall on Sunday pinned a white flower to their black attire — signifying that as graduating seniors, their time with the group would shortly come to a bittersweet end.

The May 4 concert at Severance Music Center also bid farewell to COYO’s music director Daniel Reith, who has led the ensemble since the fall of 2022. Sunday’s event left both students and conductor with plenty to be proud of.

[Read more…]

Cleveland Classical Guitar Society: Duo Chinoiserie (Apr. 26)

by

by Kevin McLaughlin

Sometimes a concert surprises and disorients its audience so completely that you have to be reminded of what you signed up to hear. Duo Chinoiserie, pairing guitarist Bin Hu and guzheng virtuoso Jing Xia, had that effect on Saturday evening, April 26, at the Maltz Performing Arts Center.

Presented by Cleveland Classical Guitar Society, the duo’s program of works — some written and others arranged for them — traced an imaginative arc across centuries, continents, and traditions, in a marvelous comingling of sonic possibilities.

[Read more…]

CIM Opera Theater: Don Giovanni (Apr. 23)

by

by Peter Feher

It’s hard not to be enamored with Don Giovanni, Mozart’s supreme realization of passion, danger, and desire in music. And CIM Opera Theater made falling in love with this 1787 masterpiece the most natural thing thanks to a splendid production at Playhouse Square last week.

Taking the stage of the Mimi Ohio Theatre on Wednesday, April 23, for the first of two performances, the largely student cast seemed to be discovering the drama afresh. The story of the cad and lecher Don Juan has been told countless times, but the Italianate version that Mozart crafted with librettist Lorenzo Da Ponte remains the most viscerally immediate, even centuries later.

[Read more…]

Cleveland Orchestra brass and percussion celebrate Akron’s 200th in ambitious Tuesday Musical program (Apr. 22)

by

by Stephanie Manning

There are very few American cities who can count themselves as having an official fanfare. But now, Akron is one of them.

To celebrate the city’s 200th anniversary, Tuesday Musical commissioned composer Peter Boyer to write Festive Fanfare (For Akron’s Bicentennial). More than a concert piece, a recording of the four-minute fanfare will soon be made available for open-access use at Akron civic events. On April 22, a packed house heard it live for the first time as part of a wide-ranging program by the brass and percussion players of The Cleveland Orchestra.

“Kid — candy store,” Boyer said from the stage at E.J. Thomas Hall, gesturing to himself and then the musicians to describe his excitement. [Read more…]

Conductor Kazuki Yamada’s stylish Cleveland Orchestra debut features Elgar, Mozart, and pianist Francesco Piemontesi (Apr. 24)

by

by Stephanie Manning

This article was originally published on Cleveland.com

CLEVELAND, Ohio — Edward Elgar’s first symphony was a long time coming. But once the British composer finally put pen to paper at age 51, audiences at the time simply couldn’t get enough. But tastes change, and that rapturous response in 1908 couldn’t guarantee eternal success. The piece has now settled into relative obscurity for many American orchestras.

Today, Britain is still the most likely place to hear Elgar’s Symphony No. 1 — so it made sense that The Cleveland Orchestra’s performance on April 24 should be led by the conductor of a British ensemble. City of Birmingham Symphony Orchestra music director Kazuki Yamada ascended the Severance Music Center podium, making his assured and elegant Cleveland Orchestra debut.

Elgar’s symphony is unconcerned with quaint, pastoral English scenes — instead, it’s often stormy, celebratory, and in-your-face, sometimes all at once. On Thursday, Yamada confirmed his reputation for passion and expressivity as a conductor in his interpretation of the symphony.

[Read more…]

Oberlin Chamber Orchestra thrills at Finney Chapel (Apr. 3)

by

by Max Newman

The Oberlin Chamber Orchestra, a flagship ensemble of the Oberlin Conservatory, delivered a sterling performance at Finney Chapel on the evening of April 3. Under the direction of Raphael Jiménez, the performance featured three pieces of varying styles and moods, all played with aplomb.

The technical ability on display was brilliant. One of the more impressive aspects of the performance was the ability of the players to maintain an unerring control of dynamics. [Read more…]

Chinese Musicians Association of North America inspire at CMA (Apr. 11)

by

by Peter Feher

The Chinese Musicians Association of North America (CMA-NA) may be less than a year old, but some of the group’s repertoire — and many of these performers’ instruments — date back centuries.

This history was on dazzling display in the Cleveland Museum of Art’s Gartner Auditorium on Friday, April 11. The evening covered thousands of years of culture, from ancient plucked melodies that might have been heard in the third, fourth, or fifth centuries BCE, to a world-premiere chamber work that imaginatively bridged Eastern and Western classical traditions.

Photos of sculptures and paintings from the Museum’s Chinese art collection, similarly extensive in scope, were projected above the stage.

[Read more…]

Follow ClevelandClassical.com

Contact us