by Daniel Hathaway
This article was originally posted on Cleveland.com
CLEVELAND, Ohio — You might think that an orchestra that excels in the Austro-German repertoire could prove to be the wrong tool for the special demands of French music. But think again.
On Thursday evening, January 9, at Severance Music Center, guest conductor Stéphane Denève and The Cleveland Orchestra gave elegant, witty, and transparent accounts of works by Darius Milhaud and Francis Poulenc, worked with soloist Steven Banks in Guillaume Connesson’s wildly virtuosic saxophone concerto honoring John Coltrane, and explored George Gershwin’s ebullient An American in Paris from the point of view of a Frenchman on the podium. [Read more…]





With light snow and a winter wind blowing outside Oberlin’s Finney Chapel, the Final Round of the 2025 Cooper Competition — the January edition of the usual August event — looked a bit different this year. And yet, there was also a healthy sense of déjà vu.




This article was originally published on
This article was originally published on
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