by Zsolt Bognár, Special Contributor
In a highly anticipated and much-publicized special event last Wednesday at the Cleveland Institute of Music, the young pianist-composer Daniil Trifonov premiered his own First Piano Concerto with the CIM Orchestra, as a benefit to the school’s scholarship fund.
Already known to the musical world for his appearances with most of the world’s major orchestras and for his winning streak in the Rubinstein, Chopin, and Tchaikovsky Competitions, Trifonov’s prolific musical activities have increasingly entered the realm of composition, with several works for solo piano. The Piano Concerto (2014), composed in France, the Dominican Republic, and in Cleveland under the guidance of his teachers Keith Fitch and Sergei Babayan, is his largest work to date. It is an impressive achievement. [Read more…]
Describing this season’s final concert by the Canton Symphony Orchestra at Umstattd Performing Arts Hall on April 26 brings to mind a bevy of feel-good bromides. Still, none would be more apropos than “out of this world.”
This weekend Apollo’s Fire, directed by Jeannette Sorrell, gave four performances of their latest program, The Power of Love: Passions of Handel and Vivaldi. The featured soloist was the brilliant young soprano Amanda Forsythe. I heard the Friday night concert at St. Paul’s Episcopal Church in Cleveland Heights, with its newly renovated acoustics which livened up the sound considerably. The music was mostly Handel and Vivaldi, but Jean-Philippe Rameau made a couple of cameo appearances as well.
The American mezzo-soprano Susan Graham was scheduled to close the 2013/14 season of Akron’s Tuesday Musical on April 10th, but a bad case of laryngitis caused her to cancel her Akron program (as well as a concert scheduled in Oberlin). Fortunately the Akron recital was rescheduled and took place on Monday, April 21, in E.J. Thomas Hall. Graham’s excellent piano accompanist was Bradley Moore.
What’s better than getting to hear the Takács Quartet twice in a week? Getting to hear them three times within a month!
Last Thursday evening, April 17, The Cleveland Orchestra under guest conductor Herbert Blomstedt’s masterful hand performed a stunningly beautiful concert of romantic music. The program featured two wonderful Slavic works.
Mitsuko Uchida is in the course of revisiting selected Mozart concertos after completing a whole cycle of those ravishing pieces with The Cleveland Orchestra at Severance Hall from 2002-2007. On Thursday, April 3 she reprised No. 18 in B-flat and No. 19 in F. Between the two, the Orchestra offered Mozart’s early “Symphony” No. 23. The entire concert, including intermission, lasted about 90 minutes.
For their second appearance on the Cleveland Chamber Music Society series at Plymouth Church on April 8, the Pavel Haas Quartet scheduled two riveting twentieth-century works, Leos Janáček’s Quartet No. 1 and Benjamin Britten’s Quartet No. 2, followed by Beethoven’s “middle period” Quartet in e, op. 59, no. 2.
Lorain County Community College’s Signature Series of 2013-14 ended on a brilliant note with a performance by the Omni Quartet on Monday evening, April 7. The quartet was established five years ago and is comprised of violinists Amy Lee and Alicia Koelz, violist Joanna Patterson Zakany and cellist Tanya Ell, all members of The Cleveland Orchestra. Their program consisted of Mendelssohn’s Quartet No. 2 in a, op. 13 and Beethoven’s Quartet No. 15 in a, op. 132.
This past Saturday evening the Youngstown Symphony presented the season’s last classical music program with a twentieth-century musical emphasis. Soprano Kendra Colton served as guest artist for the evening in a performance of Samuel Barber’s poignant Knoxville: Summer of 1915.