by Daniel Hathaway
Pianist Michelle Cann freely admits she was as unaware as everyone else about the music of Florence Price until a trove of Price’s compositions turned up in the composer’s former summer home in Chicago in 2009.
Since then, Cann has become one of Price’s most enthusiastic advocates, as she made clear to the audience in Mixon Hall at the Cleveland Institute of Music on August 11. Her program, part of Piano Cleveland’s PianoDays @CLE, wrapped works by Chopin, Brahms, Clara Schumann, and Margaret Bonds around Price’s Sonata in e and Fantasie Nègre No. 1, also in e minor. I heard the performance through the livestream. [Read more…]
After impressive performances by six young violinists during the second round of the Cooper International Violin Competition, the jury selected three to advance to the final round. On August 19 at Oberlin Conservatory’s Warner Concert Hall, the talented violinists presented concertos by Tchaikovsky and Brahms with the Canton Symphony under the direction of Gerhardt Zimmermann.
Because it usually takes itself so seriously, classical music is a sitting duck for parody and satire. But the art form also has a divinely installed funny bone that allows its artists to lampoon themselves and their craft, even while producing high quality performances.
Bianca Ciubancan (16, Chicago, Il) began the afternoon session with Jessie Montgomery’s Rhapsody No. 1 for solo violin. Playing with a warm, rich sound, Ciubancan brought a thoughtful, intimate approach to the work, highlighting each of its distinct episodes. 
On Sunday, July 24 the piano team of Yaron Kohlberg and Bishara Haroni — Duo Amal — kicked off Piano Cleveland’s PianoDays @CLE in Gartner Auditorium at the Cleveland Museum of Art.
Some music never goes out of style. The famous first bars of Edvard Grieg’s Piano Concerto opened the program on August 6 at Blossom Music Center with a flourish. And the brilliance hardly let up after that, with The Cleveland Orchestra sounding superb in a pair of works that put symphonic tradition front and center.
The crowd at Blossom Music Center on July 16 received two concerts for the price of one. The Cleveland Orchestra went in a jazzy direction with the program’s first half, before turning to the dazzling symphonic repertoire that this ensemble does best.
On Wednesday July 13, clarinetist Anthony McGill, pianist Daniel Schlosberg, and soprano Colleen Longshaw Jackson gave a masterful performance in Ludwig Recital Hall at Kent State University’s Kent Blossom Music Festival.
ChamberFest Cleveland put on a spectacular event on July 1 at The Madison. They proclaimed that it was unorthodox fitting a round into a square in the old luxury faucet plant located at 46th and Payne in Midtown.