The portents weren’t good for the week of March 8: first the disorienting switch to Daylight time was to click in on Sunday, then a full moon would rise on Tuesday, then the 13th of the month was scheduled to fall on Friday. Midweek, the spread of COVID-19 added a spiraling series of postponements, cancellations, and shut-downs to an already unlucky period. Like other educational institutions, Oberlin College and Conservatory found themselves making decisions about how to proceed, only to change plans several times. [Read more…]
It takes supreme self-confidence to turn a Shakespeare comedy into an opera, and even more daring to follow up someone else’s iconic music with a score of your own. Benjamin Britten is one of the few composers who could succeed on both counts. His version of A Midsummer Night’s Dream, composed in 1960 and produced by Oberlin Opera Theater earlier this month, preserves the magic of Shakespeare’s verse with atmospheric writing that stands up well to Mendelssohn’s wonderful incidental music. Directed by Jonathon Field, with Christopher Larkin and the Oberlin Orchestra in the Hall Auditorium pit, the production, of which I saw the fourth and final performance on Sunday afternoon, November 10, boasted a uniformly superb cast of Athenians, Fairies, and Rude Mechanicals. [Read more…]