by Robert Rollin
Last Sunday afternoon, September 15, the BlueWater Chamber Orchestra, under conductor and artistic director Daniel Meyer, opened its season with an imaginatively varied concert at The Temple-Tifereth Israel. Amitai Vardi was featured in Srul Irving Glick’s The Klezmer’s Wedding, a delightful one-movement piece for clarinet and string orchestra.
by David Kulma
BlueWater Chamber Orchestra entered an exciting second era with the final concert of its 9th season on Saturday, May 4 at Plymouth Church in Shaker Heights. Last month, conductor Daniel Meyer was named the orchestra’s artistic director, so now this important Northeast Ohio institution can chart a course into its second decade.
by Jarrett Hoffman
“We’re definitely talking about some return visits and some more intensive work together.”
That’s what conductor Daniel Meyer told me over the phone in early April after I asked him about further engagements with BlueWater Chamber Orchestra in the seasons to come.
And I can only assume that he was winking when he said it. Less than two weeks later, on April 22, Meyer was announced as the ensemble’s new Artistic Director and Conductor, succeeding founder Carlton Woods, who passed away in 2017.
He will lead his first concert as Music Director on Saturday, May 4 at 7:30 pm at Plymouth Church in Shaker Heights (more on that program in a bit). He already knows the players well, having appeared as guest conductor with BlueWater several times over the past few seasons.
And he seems to genuinely love the orchestra. “I took to them right away,” he told me. [Read more…]
by Nicholas Stevens
Variety can be the salvation or the undoing of a concert. A century and a half ago, most Americans would have heard what we now think of as the bedrock repertoire of the classical tradition in bewildering shows that often included comedy and drama as well. In recent decades, however, even diversity of historical period and musical style — let alone type of entertainment — has become optional, rather than expected. In a recent concert led by Daniel Meyer, BlueWater Chamber Orchestra successfully embraced stylistic pluralism, mixing new music and a rarity with standard audience favorites.
by Daniel Hathaway
BlueWater Chamber Orchestra will present music by Osvaldo Golijov, Anton Bruckner, Antonio Vivaldi, and Franz Schubert in concerts this weekend at Rocky River Presbyterian Church (Friday, February 1) and Plymouth Church in Shaker Heights (Saturday, February 2), both at 7:30 pm.
I reached conductor Daniel Meyer on the road between his home in Pittsburgh and one of his regular podium positions in Erie, where he was rehearsing for a concert last weekend with the Erie Philharmonic. I started by congratulating him on his recent appointment as conductor of the Lakeside Symphony.
Daniel Meyer: I’ve been looking for a summer home for a while. My family loves Lakeside, and I’m very excited to have the opportunity to work there. One promising thing is its collaborative possibilities. We’re looking to expand what we do.
DH: Besides Erie, what other conducting positions do you hold down at the moment?
DM: I also conduct the Westmoreland Symphony just outside of Pittsburgh. I just got back from a guest appearance in Silicon Valley with the former San José Symphony. [Read more…]
by Nicholas Stevens
That time of year has come: lawns turn white with snow as day arrives late, puddles freeze over when night comes early, and Northeast Ohioans glance outside with the knowledge that this is only the beginning. In this season, when the world outside seems to reject us with what feels like personal hostility, it takes real incentives to lure listeners to concert halls. Fortunately, the area offers many such tempting opportunities, and last weekend, a program by BlueWater Chamber Orchestra made the trip outside well worth it. [Read more…]
by Jarrett Hoffman
If you’ve been to an orchestra concert in the area over the last 26 years, you’ve probably heard Martin Neubert’s playing.
Since receiving his master’s from the Cleveland Institute of Music in 1992, the oboist has become a mainstay of the region’s music scene. He’s principal of the BlueWater Chamber Orchestra, Warren Philharmonic, and Opera Western Reserve, and second in the Cleveland Pops Orchestra and Cleveland Chamber Symphony. On top of that, he’s substituted with The Cleveland Orchestra, and performed with the symphonies of Akron, Canton, and Youngstown.
In short, he’s been around.
This weekend, Neubert will step out from the BlueWater ranks to perform as soloist, joining guest conductor Tiffany Chang for her debut with the Orchestra. The program is titled “Opulent Oboe and Scintillating Symphony” — the opulence coming from German-American composer Lukas Foss’s Concerto, the scintillation from Haydn’s Symphony No. 103 in E-flat, “Drumroll.” Apologies to Beethoven for missing out on the fun adjectives, but his Overture to The Creatures of Prometheus, Op. 43 should make for a strong opener.
by Nicholas Stevens
Sometimes, the concerts that a music-lover remembers best revolve around isolated points of interest: a moving phrase here, a glowing chord there, the consistent verve of one player over the course of an evening. However, some performances contain such long successions of bright points that a pattern forms, and the entire experience becomes one protracted highlight. When the musicians of BlueWater Chamber Orchestra opened their ninth season last weekend, it became difficult to miss the forest for the trees: delightful moments kept arriving. [Read more…]
by Jarrett Hoffman
Friendships: each one is different, based around everything from a mutual career to telling weird jokes. Occasionally both of those come into play, as with hornist Joseph Leutgeb and one pretty famous composer. “Wolfgang Amadé Mozart takes pity on Leutgeb, ass, ox, and simpleton, at Vienna, 27 March 1783,” Mozart wrote on the autograph of the Concerto No. 2 in E-flat, K. 417, one of several works he wrote for the hornist.
Whatever the nature of that bond, hornists around the world are grateful for it, including Cleveland Orchestra fourth hornist Richard King. “Mozart’s my favorite composer, and that we horn players happen to have multiple works by him is just wonderful — and lucky,” King said during a recent phone call. “If Mozart’s friend had played the trumpet, then we might not have anything.”
King will take on Mozart’s Concertos Nos. 1 and 2 during the aptly titled “All Hail the Horn,” BlueWater Chamber Orchestra’s first concert of its ninth season. Conductor Daniel Meyer will lead the performance at the Breen Center in Ohio City on Sunday, September 16 at 3:00 pm. The program will also include Stravinsky’s Dumbarton Oaks chamber concerto and Manuel de Falla’s El Amor Brujo, featuring mezzo-soprano Corrie Stallings. “I’ve been in the audience before and I’m a big fan of this group, so it’s great to have this opportunity,” King said.
by Timothy Robson
The Cleveland Chamber Choir and BlueWater Chamber Orchestra combined forces under Choir conductor Scott MacPherson to play the first of two weekend concerts on Saturday, May 19 at First Baptist Church of Greater Cleveland.