by David Kulma

by David Kulma
by David Kulma

by Jarrett Hoffman

Concertmaster Ken Johnston and principal second violin Emily Cornelius will play the Op. 13 Symphonie Concertante in G by Joseph Bologne, Chevalier de Saint-Georges, who is remembered as the first known classical composer of African origin. One of his contemporaries was Mozart, whose Symphony No. 40 in g closes Saturday’s program. And in between those two works, soprano Laura Pedersen will be featured in Beethoven’s concert aria Ah, Perfido! Tickets are available online.
Johnston and Cornelius have known each other for at least ten years — BlueWater celebrates its own decade in 2020 — but this will be their first time appearing together as soloists. “At this point, she and I are old friends,” Johnston said by telephone last week. “I have a tremendous amount of respect for her musicianship. I think we share the same sense of humor in a lot of ways, and that comes across.”
by Jarrett Hoffman

Her time living in Cleveland saw her career take off. Cho won a major competition (International Violin Competition of Indianapolis), made an important solo debut (Carnegie Hall), took on teaching positions (CIM and Oberlin Conservatory), and founded and continues to run a summer festival (ENCORE Chamber Music in Gates Mills).
Cho has been featured by many of the area’s prominent ensembles and presenting organizations — and she’s still adding to that list. She will play Tchaikovsky’s Violin Concerto this weekend in her first appearances with BlueWater Chamber Orchestra, led by Daniel Meyer.
by Mike Telin
by Mike Telin

On Sunday, October 13 at 3:00 pm, ART will kick off its 29th season with a recital by cellist Darrett Adkins and pianist Cicilia Yudha. Their program will feature works by Janáček, Kodály, Messiaen, and Chopin.
“Twenty-nine years — who knows where all the time has gone?” Haff-Paluck said during an interview, noting that the Tremont neighborhood was very different in the early ‘90s. “There are so many restaurants and galleries now, but it wasn’t that way back then. People wanted arts programs to be happening in the neighborhood.”
by Robert Rollin

by David Kulma
by David Kulma

by Jarrett Hoffman

That’s what conductor Daniel Meyer told me over the phone in early April after I asked him about further engagements with BlueWater Chamber Orchestra in the seasons to come.
And I can only assume that he was winking when he said it. Less than two weeks later, on April 22, Meyer was announced as the ensemble’s new Artistic Director and Conductor, succeeding founder Carlton Woods, who passed away in 2017.
He will lead his first concert as Music Director on Saturday, May 4 at 7:30 pm at Plymouth Church in Shaker Heights (more on that program in a bit). He already knows the players well, having appeared as guest conductor with BlueWater several times over the past few seasons.
And he seems to genuinely love the orchestra. “I took to them right away,” he told me. [Read more…]
by Nicholas Stevens

by Daniel Hathaway

I reached conductor Daniel Meyer on the road between his home in Pittsburgh and one of his regular podium positions in Erie, where he was rehearsing for a concert last weekend with the Erie Philharmonic. I started by congratulating him on his recent appointment as conductor of the Lakeside Symphony.
Daniel Meyer: I’ve been looking for a summer home for a while. My family loves Lakeside, and I’m very excited to have the opportunity to work there. One promising thing is its collaborative possibilities. We’re looking to expand what we do.
DH: Besides Erie, what other conducting positions do you hold down at the moment?
DM: I also conduct the Westmoreland Symphony just outside of Pittsburgh. I just got back from a guest appearance in Silicon Valley with the former San José Symphony. [Read more…]
by Nicholas Stevens
