by Stephanie Manning

The Pantheon Ensemble kicked off the concert with J.S. Bach’s Concerto in f, where pianist Elizabeth DeMio was joined by violinists Masha Andreini and Mari Sato, violist Yaël Senamaud-Cohen, cellist Nataliya Pschenychna, and bassist Tracy Rowell. The group approached the Bach with a rich, dramatic style fitting for both the piece and the venue. But although the architecture of St. Stanislaus is visually impressive, its extremely resonant space was not always beneficial to the ensemble’s blend and balance.




What might LvB have thought of having 90 young musicians — led by a professional string quartet — perform the fugue that ends his Quartet Op. 59, No. 3?
“It’s like putting on all the Shakespeare plays in a month — it takes all your heart and soul and energy,” Cavani Quartet founder and primo violin Annie Fullard said in a recent telephone conversation about their “
The Cavani Quartet’s well-attended concert on Sunday, November 21 at St. Wendelin Church marked the sixth of eight performances in the ensemble’s roaming “Beethoven and Beyond” series, as well as the beginning of the 30th season of the Arts Renaissance Tremont series.
COVID-19 may have interrupted the celebration of Beethoven’s 250th Birthday in December 2020, but the Cavani String Quartet has made that event a moveable feast.
It was another fascinating afternoon of recent music by members of the Cleveland Composers Guild at CSU’s Drinko Recital Hall on Sunday, October 13. Opening the Guild’s 60th anniversary season, the concert featured chamber music by eight local composers in the usual explorative potluck format.
Since its founding in 1991, 