by Stephanie Manning

As the guitarist told the audience at Plymouth Church in Shaker Heights, her move to New York at age 16 — to study at Juilliard — inspired her love of music from the Americas, with its flexibility and diversity of style.
by Stephanie Manning

As the guitarist told the audience at Plymouth Church in Shaker Heights, her move to New York at age 16 — to study at Juilliard — inspired her love of music from the Americas, with its flexibility and diversity of style.
by Stephanie Manning

The Guitar Society’s executive director, Erik Mann, introduced Kaya by proclaiming that the audience would leave feeling addicted to his music, and his prediction wasn’t wrong. The process to get there unfolded over the course of the evening on Saturday, October 23 at Plymouth Church in Shaker Heights.
by Jarrett Hoffman

“Celil, every concert you do for us, you have to play one of your own compositions,” Guitar Society executive director Erik Mann once said to him. Mann laughed as he recalled that line last month in an interview. It was a friendly request, not a stern one, but there was a seriousness behind it born out of respect for Kaya’s music.
Speaking from New Jersey, where he teaches at New Jersey City University, Kaya described the gestation of the work he’ll bring to Cleveland this weekend. “I was planning to compose this piece for a long time — since I was a teenager, actually. My father had a bunch of these surreal, fantastic sketches, and I wanted to write pieces based on them, but I never had a chance to do it.”
Finally, in the pandemic, he found time to return to his old drafts, and Sketches became a reality.
by Jarrett Hoffman
As per tradition, the Cleveland Classical Guitar Society will kick off its 2021-22 series with the free Showcase Concert highlighting musicians from around the region. This year’s event, which you can attend in person at the Maltz Performing Arts Center on Saturday, September 18 at 7:30 pm, or via livestream, might aptly be described as a Cincinnati sandwich on Cleveland bread.
There will be three sets, with Cleveland-based musicians on either end. Guitar Society educator Andy Poxon will open the concert with Mauro Giuliani’s Grande Ouverture before moving to his own arrangement of Handel’s D-Major Violin Sonata, where he’ll be joined by violinist Jeanelle Brierley.
Occupying the middle portion of the program is guitarist and composer Jeremy Collins, representing his hometown and homebase of Cincinnati, though he also studied at the Cleveland Institute of Music as an undergraduate (Cleveland-bred in addition to the Cleveland bread). He’ll perform two of his own pieces, The Starry Night and Reverie, followed by José Luis Merlin’s Suite del Recuerdo.
At the finish, bringing an impressive variety of flavors to the table is the guitar-and-flute Gruca White Ensemble. They’ll open with three miniatures by Stephen Goss (part of his From Honey to Ashes) influenced by music from around the world. They’ll continue with Masamitsu Takahashi’s Homage to the Harvest Moon, in which they’ll imitate the Japanese traditional instruments shinobue and koto. And they’ll finish with two movements from Marshall Griffith’s Jazz Impressions of Cleveland.
by Daniel Hathaway

by Hannah Shoepe

The program begins with works by Mauro Giuliani, as well as selections from J.S. Bach’s Goldberg Variations. Bridging the gap to the contemporary portion of the evening will be Kaya’s transcription of Enrique Granados’ Valses poéticos. The second half of the program includes Kaya’s own Sonatina and works by Jorge Morel and Joaquín Rodrigo. Click here for ticket information. [Read more…]