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Chanticleer opens CCMS season with an ode to nature (Sept. 24)

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by Kevin McLaughlin

Chanticleer’s widely-varied program “Music of a Silent World” opened the Cleveland Chamber Music Society’s 75th season on Tuesday, September 24 at The Cultural Arts Center at Disciples Church in Cleveland Heights.

Throughout the two-hour performance, Chanticleer brought a lovely and well-blended group sound, faultless intonation, and an extraordinary stylistic range — from German romantic to Sondheim. Tim Keeler is the group’s Music Director, and Chanticleer performs without a conductor. Their remarkable group sound is a tribute to the lovely mixture of predominantly lighter male voices — six countertenors, three tenors, and three baritones/basses.

This program centered around selections from Majel Connery’s song cycle The Rivers Are Our Brothers, whose declamatory lyrics readily identified the messengers (“I am the air,” “I am a cloud,” “I am a river”). [Read more…]

Cleveland Chamber Music Society: Chanticleer to open 75th Season

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by Mike Telin

In 1949 a small group of like-minded individuals came together to bring ensembles of the highest quality to Cleveland for chamber music performances. And thus, the Cleveland Chamber Music Society was born.

On Tuesday, September 24 at 7:30 pm at The Cultural Arts Center at Disciples Church,  CCMS will launch its 75th anniversary season with a concert by the celebrated all-male vocal ensemble Chanticleer. “Music of a Silent World,” will feature Majel Connery’s The Rivers are Our Brothers, a new arrangement of Tom Petty’s Wildflowers, Lawrence’s The Weather, and I miss you like I miss the trees by the ensemble’s composer-in-residence Ayanna Woods. A gala reception will follow the performance. Tickets are available online.

I caught up with tenor and assistant music director Matthew Mazzola and baritone Matthew Knickman on Zoom and began our conversation by asking why they are excited about this nature inspired program.

[Read more…]

Tuesday Musical: Chanticleer in Akron (July 27)

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by Timothy Robson

Chanticleer, the legendary all-male vocal ensemble, appeared on Tuesday Musical’s series at E.J. Thomas Hall on July 27. Founded in 1978, the ensemble presented one of their trademark eclectic programs, in which a Renaissance motet by William Byrd could bump up against Burton Lane’s pop song On a Clear Day, or a commissioned work might transition to a gospel song. Part of their first post-pandemic tour, this was their first performance in Northeast Ohio under new music director Tim Keeler, who had previously sung countertenor in the group.

[Read more…]

Chanticleer at Akron’s Tuesday Musical: a conversation with music director Tim Keeler

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by Daniel Hathaway

When Chanticleer sings a concert on the Tuesday Musical series at E.J. Thomas Hall in Akron on July 27, it won’t just be business as usual for the twelve male singers of San Francisco’s “orchestra of voices.”

The ensemble, which normally spends much of the year on the road, has been becalmed by the pandemic for more than a year. Akron will be the next-to-last stop on its current, eight-concert tour, the first since the shutdown.

“We’ve had to reinvent everything for each venue,” Music Director Tim Keeler said in a telephone call from Chicago. “We’re grateful to each presenter for helping us figure everything out. There’s no rulebook for how to sing choral music at the end of a pandemic.”

[Read more…]

Cleveland Chamber Music Society: Chanticleer in “Trade Winds” (March 3)

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by Daniel Hathaway

The Cleveland Chamber Music Society sailed into relatively uncharted waters on March 3, hosting the Bay Area male vocal ensemble Chanticleer in “Trade Winds.” This musical voyage took its name from a triptych by Zhou Tian, part of a varied program that called in at multiple ports for Italian madrigals, settings of Ave Maris stella (“Hail Mary, Star of the Sea”), an Edwardian part song, a Portuguese Mass, songs from the Pacific, and English sea shanties. [Read more…]

Chanticleer brings Trade Winds to Cleveland Chamber Music Society

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by Jarrett Hoffman

“In a way, we’re the most blissfully portable ensemble around,” Chanticleer music director William Fred Scott said by telephone from his home in Atlanta. “We don’t need microphones, we don’t need a piano, we don’t even need music stands.” If the 12-member male chorus had a superhero catchphrase, it might be what Scott said next, with the obligatory baby tagged on at the end: “All we need is a nice acoustic and we’re ready to go.”

The resonant Plymouth Church in Shaker Heights ought to do the trick. As part of an extensive tour away from its home base of San Francisco, Chanticleer will make its debut on the Cleveland Chamber Music Society Series on Tuesday, March 3 at 7:30 pm at Plymouth. David Rothenberg will give a pre-concert lecture at 6:30 pm, and tickets are available online.

The program, Trade Winds, was “kind of a no-brainer for us this particular year,” Scott said. It’s themed around global travel, fitting for Chanticleer’s presence on the Pacific and for the ensemble’s schedule this season: in July, they head to Oceania for their debut in New Zealand and their first trip to Australia since 1997. [Read more…]

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