by Peter Feher

One secret to last Tuesday’s polished program at Plymouth Church had to do with the group’s extracurricular nature. Thanks in part to seasons in ensembles including the Berlin, Los Angeles, and New York Philharmonics, the Quartet can pull off a big program easily, and with a certain unity of style. [Read more…]



Examining the mailing lists of an arts organization can reveal a lot. First and foremost that list tells you who is attending the events. And when comparing the mailing lists of two like-minded organizations, for example ones devoted to chamber music, one would expect to find more than a fair amount of overlap.
Cleveland Chamber Music Society has recently had to deal with more than its fair share of postponements and cancellations, but when Cuarteto Casals cut short their U.S. Tour last month due to a medical emergency, the Society was lucky to be able to field a replacement.
This season, even more than usual, Imani Winds is booked and busy. Rescheduled concerts from last year, combined with new additions to their schedule, promise a season full of travel and performances. “It’s a lot of making up for lost time,” bassoonist Monica Ellis said in a recent interview. “We’re just grateful that we’re able to be back and have live performances again, in one way or another.”
Blissfully unaware of what was to come, on September 10, 2019, I wrote:
When you think of famous, old-school musicians, a certain invincibility comes to mind, but also a distance. So it’s refreshing when today’s virtuosos not only match or exceed the abilities of their predecessors, but also reveal without any hint of pretense that they’re human.
Through a partnership with the Chamber Music Society of Lincoln Center, the Cleveland Chamber Music Society is offering the steamed CMS Front Row National series free of charge.
