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Welcoming the Apollon Musagète Quartet to the Cleveland Chamber Music Society

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by Daniel Hathaway

Founded in Vienna in 2006 by four young Polish musicians, the Apollon Musagète Quartet will visit the Cleveland Chamber Music Society series at Plymouth Church in Shaker Heights on Tuesday, February 4 at 7:30 pm.

Violinists Paweł Zalejski and Bartosz Zachłod, violist Piotr Szumieł, and cellist Piotr Skweres, now on a multi-city tour of North America, will bookend their program with Haydn’s Quartet in D, Op. 64, No. 5, “Lark,” and Dvořák’s Quartet in A-flat, Op. 105. Following their custom of featuring at least one work by a Polish composer on each of their concerts, the Quartet will center their program with Krzysztof Penderecki’s Quartet No. 3, “Leaves from an unwritten diary.”

Written only two years after Apollon Musagète was formed — and named after Apollo ‘The Inspirer of the Muses’ — Penderecki’s third quartet marked the composer’s first foray into chamber music in four decades. As Peter Lakí writes in his program notes for the February 4 concert, “Penderecki rarely gives his works programmatic subtitles. The fact that he chose to do so in this case shows that this quartet meant something special to him.” [Read more…]

Ehnes & Armstrong in second of three CCMS concerts (Jan. 14)

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by Daniel Hathaway

When a pianist is performing center stage and seating is open, audiences tend to drift toward the keyboard side of the auditorium to get a good view of the performer’s hands. I like to head toward stage left, the better to catch the expressions on the pianist’s face. That paid off on Tuesday evening, January 14 on the Cleveland Chamber Music Society’s series at the Maltz Performing Arts Center when violinist James Ehnes and pianist Andrew Armstrong continued their progress through Beethoven’s complete sonatas. Per il Clavicembalo o Forte-Piano con un Violino is how the first edition subtitled them, making it clear that if the pianist isn’t the major actor, the two instruments are at least equal partners in this musical enterprise. [Read more…]

Cleveland Chamber Music Society: Second Ehnes & Armstrong recital features Beethoven’s ‘Kreutzer’ Sonata

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by Daniel Hathaway

Credit Opus 47 for inspiring the complete cycle of Beethoven’s violin sonatas that James Ehnes and Andrew Armstrong are touring this season to celebrate the composer’s 250th birthday.

As the Canadian-born violinist told us in a phone conversation last fall, he and his piano colleague once booked a studio in England to record a commissioned piece, but the work wasn’t ready yet. “The space, the recording engineer, and the producer were all on hold and we were faced with a whole day of dead time. What could we do to turn this into a useful day?”

Having performed Beethoven’s Ninth Sonata (the “Kreutzer”) quite frequently around that time, Ehnes proposed using that day to record it. “It’s never a bad idea to have a recording of the ‘Kreutzer,’ and we could figure out what to do with it later.”

What they did with it later was to record Beethoven’s Sixth Sonata and release the two sonatas on the same disc. “Some publications assumed that this was the start of a cycle,” Ehnes said, and that prediction came true when the violinist was looking for a way to mark the big anniversary of the composer’s birth in 2020. [Read more…]

Dover Quartet at Cleveland Chamber Music Society (Dec. 3)

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by Daniel Hathaway

Departing slightly but refreshingly from the time-honored pattern of classical era quartet + modern piece + major romantic work, the Dover Quartet brought a challenging but engaging contemporary quartet by David Bruce to the Cleveland Chamber Music Society series at Plymouth Church on December 3, prefacing it with an evanescent Britten quartet and following it with dependably sturdy Brahms. [Read more…]

Dover Quartet brings new David Bruce work to Cleveland Chamber Music Society

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by Jarrett Hoffman

On Tuesday, December 3 at 7:30 pm at Plymouth Church, the Dover Quartet will return to the Cleveland Chamber Music Society bearing a healthy, six-week-old piece of music by David Bruce alongside works by Britten and Brahms.

The group premiered Bruce’s The Lick Quartet in October on the Dallas Chamber Music Society, then played it again at the Concertgebouw in Amsterdam and the Stadthaus in Ulm, Germany. That makes this the fourth performance of the piece, and if you want to get geographic about it, the East-of-the-Mississippi U.S. premiere.

And about that title — it has nothing to do with anyone’s tongue, but rather it’s the word for a melodic fragment in jazz. According to Bruce’s notes on the piece, the term “lick” has become a cliché, an Internet meme, and an inside joke among musicians. But after he noticed the resemblance of a lick in his early sketches for the piece, he decided to challenge himself to use it unironically.

[Read more…]

Cleveland Chamber Music Society: Jerusalem Quartet at Plymouth (Oct. 22)

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by David Kulma

Tuesday, October 22 was my second opportunity to hear the Jerusalem Quartet. This was their eighth appearance on the Cleveland Chamber Music Society’s concerts at Plymouth Church, and it’s no wonder they keep getting invited back. In an invigorating program of Mozart, Korngold, and Shostakovich, violinists Alexander Pavlovsky and Sergei Bresler, violist Ori Kam, and cellist Kyril Zlotnikov showed off this elegant quartet’s power and maturity. [Read more…]

Pianist Till Fellner to return to Cleveland Chamber Music Society

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by Jarrett Hoffman

Till Fellner last came to town in 2011 at the invitation of the Cleveland Chamber Music Society. The Austrian pianist returns to the series for a recital next Tuesday, November 12 at 7:30 pm in Mixon Hall at the Cleveland Institute of Music. Roger Klein will give a pre-concert lecture at 6:30 pm. Tickets are available online.

Fellner’s international career was launched when he won first prize at the Clara Haskil International Piano Competition in 1993. Since then, he has been a guest at major orchestras and music centers of Europe, the U.S., and Japan. Last season brought his debut with the London Symphony, and this season includes his second appearance with the Boston Symphony. He teaches at the Zurich Hochschule der Künste.

The pianist’s Chamber Music Society program is one part Schoenberg and two parts Schubert — who is among the composers Fellner admires most. As he told Kyle MacMillan last year in an interview for the Chicago Symphony’s CSO Sounds and Stories, “…it seems to me that Beethoven, Mozart, Schubert and Bach are so important, and it’s the most interesting music for me.”

[Read more…]

Jerusalem String Quartet
returns to CCMS Series

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by Daniel Hathaway

The Jerusalem String Quartet, now beginning its 24th season together, will give the second concert of the 70th season of the Cleveland Chamber Music Society at Plymouth Church on Tuesday October 22 at 7:30 pm. Their program includes works by Mozart, Korngold, and Shostakovich.

One of CCMS’s most frequently-invited ensembles, the Jerusalem Quartet has visited the series once a year since 2017, and once every other year from 2010 through 2015. In addition to Cleveland, the ensemble’s U.S. tours this season will include concerts in Houston, Durham, Baltimore, West Orange New Jersey, and New York, and a return to Boston’s Celebrity Series.

The Quartet’s program on  October 22 begins with Mozart’s Quartet in d, K. 421, one of the set of six quartets the composer dedicated to his mentor, Joseph Haydn. For someone who normally composed rapidly and with little effort — Mozart’s sister noted that he often concocted whole pieces in his head while playing games, then sat down and simply wrote them out — these works inspired the composer to produce music at a level of perfection unusual even for him. [Read more…]

CCMS at the Maltz: Ehnes & Armstrong in first of three Beethoven recitals (Sept. 17)

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by Daniel Hathaway

James Ehnes and Andrew Armstrong are celebrating the 250th anniversary of Beethoven’s birth with performances of his ten sonatas for violin and piano. It’s a big undertaking, and performances can come in different configurations: the duo will sometimes play the whole lot over two or three adjacent evenings, or space them out over three widely-spread performances. The Cleveland Chamber Music Society has opted for the latter. The opening concert of the set took place at the Maltz Performing Arts Center on September 17, with others to follow on January 14 and April 21. [Read more…]

Ehnes & Armstrong to play complete
Beethoven violin sonatas
on CCMS Series

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by Daniel Hathaway

The Cleveland Chamber Music Society will take a bit of a different tack for its 70th Anniversary Season in 2019-2020. Violinist James Ehnes and pianist Andrew Armstrong will appear in three of the nine concerts, performing Beethoven’s complete Sonatas for violin and piano, a series that will be presented at the Maltz Performing Arts Center in University Circle on September 17, January 14, and April 21.

Concerts at the Society’s customary venue, Plymouth Church in Shaker Heights, will include the Jerusalem Quartet (October 22), the Dover Quartet (December 3), the Apollon Musagète Quartet (February 4), and Chanticleer (March 3).

Other exceptions to the Plymouth Church location: pianist Till Fellner will play a recital in Mixon Hall at the Cleveland Institute of Music on November 12, and the series will end back at the Maltz Center on May 5 with a performance by violinist David Bowlin and the Albers Trio.

I reached James Ehnes at his home in Florida last week and began by asking how the idea of performing all of Beethoven’s ten violin sonatas originated. [Read more…]

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