by Stephanie Manning
No matter their theme, most classical guitar concerts eventually circle around to a piece by one of the instrument’s most famous composers. Agustín Barrios. Heitor Villa-Lobos. Mario Castelnuovo-Tedesco. But none of those names appeared on the Cleveland Classical Guitar Society’s program on March 7.
“As you can see, everybody’s still alive,” An Tran said of the composers he chose for his concert at the Maltz Performing Arts Center. The Chicago-based, Vietnam-born guitarist made his Cleveland debut with a collection of music written almost exclusively for him — much of it drawn from his upcoming album, Illumina.
In an interview with ClevelandClassical.com’s Mike Telin, Tran said that his manager calls it “risky” to do this kind of programming. If it is a risk, his performance showed exactly why that’s a risk worth taking. [Read more…]
Spend a few minutes with Marko Topchii, and you’ll know he’s a performer that likes to bend convention. The guitarist took the stage at the Maltz Performing Arts Center on March 8 wearing a baby blue suit jacket over a graphic tee, before promptly announcing that he was adding another piece to the program. Instead of kicking things off with Frederic Hand’s Undercurrents, his first selection was a brief, reflective work called Ground, written by his mother.
Ever since Punxsutawney Phil popped his head out to predict six more weeks of winter, Clevelanders have seen no respite from the cold and snowy weather. So February 11 was as good a winter day as any to escape to sunny Spain, via the latest concert from the Cleveland Chamber Music Society.
The theme of the Cleveland Classical Guitar Society’s latest concert season emphasizes the new and different — with plenty of debuts, contemporary works, and creative ways of looking at music. That was the case on October 26 for Jorge Caballero’s program. All three pieces he brought to the Maltz Performing Arts Center were rare to hear, each for different reasons.