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A peaceful afternoon at Classically Lake View (July 7)

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by Stephanie Manning

Choosing a mausoleum as a concert venue might imply a more somber occasion, but the atmosphere was distinctly lighthearted at the Classically Lake View concert on July 7. Held in the Lake View Cemetery’s Community Mausoleum on a sunny Sunday afternoon, a string quartet of Cleveland Orchestra members and an Oberlin student guitarist presented a spirited program of chamber music by Black composers.

First violinist Liyuan Xie confidently led the quartet as they kicked things off with two movements from Joseph Bologne, Chevalier de Saint-Georges’ String Quartet No. 3, Op. 1. Despite the unconventional indoor space, the small stage helped with projection and the blend between the four musicians kept a balanced timbre. (Probably best not to add any wind instruments into the mix with that echo, though.) [Read more…]

Cleveland Classical Guitar Society: Zidur Guitar Duo (Feb. 24)

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by Kevin McLaughlin

Hermelindo Ruiz and Samuel Diz, constituents of the Zidur Guitar Duo, made their Cleveland debut on Saturday, February 24, endearing themselves to the crowd at the Maltz Performing Arts Center with an attractive program and winning personalities — two young virtuosos from out of town you’d like to meet afterwards over tapas and beer.

Ruiz, a native Puerto Rican, and Diz, Spanish-born, delighted in sharing music from their respective countries, including works by Egúrbida, Gottschalk, Rodrigo, Vide, and Acosta, plus two by Ruiz himself. While other guitarists might have been inclined to flashier repertoire, Ruiz and Diz chose milder stuff, perhaps ambassadors of a gentler sort.

[Read more…]

Zidur Guitar Duo to make Cleveland debut for Classical Guitar Society

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by Mike Telin

The relationship between Hermelindo Ruiz (left) and the Cleveland Classical Guitar Society dates back to 2020, when the guitarist/composer became an Artist in Residence for CCGS through a Creative Fusion grant from the Cleveland Foundation. A year later, Ruiz became a CCGS Composer in Residence, writing works for young guitar players that were premiered by the students.

This week Ruiz makes his third visit to Cleveland — this time joined by Samuel Diz in the Zidur Guitar Duo. On Saturday, February 24 at 7:30 pm, the duo will make its Cleveland debut at the Maltz Performing Arts Center. The program features music from their homelands of Puerto Rico and Spain. Tickets are available online.

Ruiz was in Chicago when I caught up with him by phone and began by asking how he and Diz came to form the duo.

Hermelindo Ruiz: Through friends of mine, Samuel discovered some scores of my work and started to play my music in Europe. I am from Puerto Rico and he’s from Spain, and he started telling people about this Puerto Rican classical music composer. And that opened a lot of doors to me, including getting to go to Spain. We started playing as a duo in 2009 when we were 20 or 21 years old at the time.

[Read more…]

Jazz Meets Classical: Grammy-nominated Dan Wilson on the Cleveland Classical Guitar Society Showcase

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by Zach Terrillion 

Classical guitar is a tradition dating back centuries. Such a long tradition is up for fresh twists and interpretations. That’s the case with this year’s Showcase Concert from the Cleveland Classical Guitar Society, which returns on Saturday, November 11 with the appearance of jazz guitarist Dan Wilson.

An Akron native, Wilson will be the first jazz musician to play at the showcase. I sat down with Wilson over Zoom to discuss his style, the surprising similarities and differences between classical and jazz guitar, George R.R. Martin, and what audiences should look forward to at Saturday’s show.

When it comes to style, Wilson considers himself a “musical omnivore,” tracing it to many different sources. His musical prowess emerged in the church with a love of gospel music. He has since taken inspiration from other genres like R&B, hip-hop, blues, and traditional jazz. He has performed with jazz greats like Joey DeFrancesco and his trio quartet, performing on his Grammy-nominated album Project Freedom, as well as with other luminaries like Van Morrison. A true omnivore, Wilson’s palate has been all-encompassing. “Whatever inspires me, I take it in.”

[Read more…]

Cleveland Classical Guitar Society: Stephanie Jones (Sept. 17)

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by Kevin McLaughlin

The Australian guitarist Stephanie Jones brought passion and clarity to the opening concert of the Cleveland Classical Guitar Society’s 2023-24 International Series, in a program of mostly German and South American works at the Maltz Performing Arts Center on September 17. This was the first concert since CCGS moved from their cozier confines of Plymouth UCC. Whatever the acoustical challenges in the Maltz, the charisma of Jones’ playing made a clear and lasting impression.

Beginning with two movements from J.S. Bach’s Violin Partita No. 3, she employed precision and a rubato musical line, breathing life into the familiar Gavotte en Rondeau movement. [Read more…]

Cleveland Classical Guitar Society: 
the “return” of Stephanie Jones

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by Jarrett Hoffman

There are still so many ongoing effects from the pandemic: physical, mental, economic, and most devastating of all, linguistic, specifically when it comes to the word “debut.”

In early 2021, Stephanie Jones was featured in the local music scene for the first time through a video — and a very popular one at that — recorded at her home in Munich and presented by the Cleveland Classical Guitar Society. Now, an event that also feels deserving of that word, she’ll finally be visiting Cleveland in person.

Perhaps great minds can gather and hash all this out. In the meantime, the more Stephanie Jones, the better — and on Sunday, September 17 at 3:00 pm, she will bring works by J.S. Bach, Richard Charlton, Ross Edwards, Jakob Schmidt, Quique Sinesi, Rostislav Golubov, Astor Piazzolla, and Antônio Carlos Jobim to the Maltz Performing Arts Center in a presentation by CCGS. See the full program here, and get tickets here.

I sat down with the Australian-born guitarist on Zoom and began by catching up on some life updates: since we last spoke, she has finished her master’s degree and Konzertexamen at the University of Music Franz Liszt Weimar, and is now teaching at the University of Augsburg — in addition to teaching through her Patreon, where her 25-member online studio is currently maxed out.

[Read more…]

Cleveland Classical Guitar Society: David Russell (Apr. 22)

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by Kevin McLaughlin

For the grand finale to this season’s International Series, the Cleveland Classical Guitar Society welcomed David Russell in a much-anticipated appearance at Plymouth Church in Shaker Heights. With easygoing charm and astonishing skill, Russell delighted and flabbergasted the capacity crowd on Saturday night, April 22 in a program of familiar and unfamiliar works.

In his opening remarks, Guitar Society executive director Erik Mann announced that this would be the last CCGS concert to take place at Plymouth Church, with the series moving to the Maltz Performing Arts Center next season. The intimacy of Plymouth will be missed, but the recently refurbished Maltz will give the series an upgrade in prestige.

[Read more…]

Cleveland Classical Guitar Society: Brasil Guitar Duo (Mar. 11)

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by Kevin McLaughlin

On Saturday evening, March 11 at Plymouth Church, the Cleveland Classical Guitar Society welcomed João Luiz and Douglas Lora, the Brasil Guitar Duo, after a four-year absence from the series.

As is customary for CCGS concerts, the evening began with a student performer. Daziel Pérez Pagán, 17, performed two short pieces. The first, written by Pagán himself when he was sixteen, was a lovely reflection called Rewoken. The second, River Flows in You, a work originally for piano by the Korean composer Yiruma and transcribed by Pagán, was beautifully played.

The Brasil Guitar Duo opened their recital with Piazzolla’s lively and sweet tango, Zita, named for the wife of Aníbal Troilo, the composer’s mentor and friend. Immediately the guitarists demonstrated warmth and technical control, qualities that remained throughout the evening.

[Read more…]

Cleveland Classical Guitar Society: René Izquierdo at Plymouth (Jan. 28)

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by Kevin McLaughlin

The Cleveland Classical Guitar Society’s International Series made an auspicious start to 2023 with a recital by Cuban-born guitarist René Izquierdo on January 28. In a program of Cuban and Spanish composers, Izquierdo — who ranks among his country’s great exponents of classical guitar — did not disappoint the near-capacity audience at Plymouth Church in Shaker Heights.

The guitarist displayed technical mastery, warmth of spirit, and a prodigious memory throughout the evening. Though a 90-minute performance featuring music by 13 different composers may be old hat to guitar recitalists, the assuredness with which Izquierdo accomplished this was a cause for wonder. In a moment of candor toward the end, he acknowledged the challenge of “having to keep five different programs in his head” on his current tour.

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Cleveland Classical Guitar Society: René Izquierdo reconnects with his roots

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by Mike Telin

From the time that Cuban-born guitarist René Izquierdo heard his first live concert as a child, he knew that he wanted to make “connecting with people through music” his life’s work. On Saturday, January 28 at 7:30 pm at Plymouth Church in Shaker Hts., the Cleveland Classical Guitar Society International Series will present René Izquierdo in a program that highlights his Cuban and Spanish heritage. Tickets are available online.

Speaking by phone from his home in Milwaukee, he began by telling me about his inspiration for his program.

René Izquierdo: I am of Cuban origin but also second generation Spanish. I’ve been living in the United States for 27 years and I’m feeling like I am losing some of my roots. So this program is my attempt to go back and revisit them. The first part is all Cuban music and the second part is all Spanish.

On the Cuban side I have some more modern composers who are guitarists. Then some piano transcriptions from the 19th century — the Nationalistic period. But I did try to pick some lesser known Cuban repertoire. [Read more…]

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