ClevelandClassical.com Header
Ad
Ad

Jorge Caballero tries something new for the Cleveland Classical Guitar Society

by

by Stephanie Manning

Playing an entire symphony on classical guitar? It’s more possible than you’d think. And it’s become second nature for Jorge Caballero, known for performing transcriptions of works like Mussorgsky’s Pictures at an Exhibition.

But Caballero’s upcoming program with Cleveland Classical Guitar Society is something a bit different. “For me, it’s somewhat of a departure from what I’ve been doing recently,” he said in a recent interview. True, his setlist at the Maltz Performing Arts Center includes Antonín Dvořák’s entire Symphony No. 9 (“From the New World”). But not just because it’s a technical achievement — it’s also part of a broader thematic connection between Black spirituals and Western classical music.

The concert on Saturday, October 26 begins at 7:30 pm, and tickets are available online. And a free prelude event, “Strings of the Spirit,” takes place at Karamu House on Thursday, October 24 at 7:00 pm. Learn more here. [Read more…]

Cleveland Classical Guitar Society: Showcase Concert (Sept. 14)

by

by Kevin McLaughlin

The Cleveland Classical Guitar Society kicked off its new season at the Maltz Performing Arts Center on Saturday, September 14 with its “2024 Showcase,” highlighting outstanding Cleveland talent and a rising star.

As is customary, an alumnus of CCGS’ Citizens Leadership Academy began the evening. Damien Goggans gave a superb and poised performance, evidence of his own talent and bestowing reflected glory on the educational arm of CCGS.

Goggans, who is a classical guitar performance major at Oberlin Conservatory, has already enjoyed triumphs at Severance Music Center and on national television and radio. Selecting three of Thomas Flippin’s 14 Études on the Music of Black Americans to play (III. “Don’t Let Nobody Turn You ’Round,” XIII. “Wake Up, Jacob,” and XII. “Don’t Be Weary, Traveler”), he sang the three spiritual melodies with an easy and clear voice before playing the etudes on guitar alone. Goggans’ guitar playing was an extension of his singing voice: sensitive, technically secure, and dignified. [Read more…]

A peaceful afternoon at Classically Lake View (July 7)

by

by Stephanie Manning

Choosing a mausoleum as a concert venue might imply a more somber occasion, but the atmosphere was distinctly lighthearted at the Classically Lake View concert on July 7. Held in the Lake View Cemetery’s Community Mausoleum on a sunny Sunday afternoon, a string quartet of Cleveland Orchestra members and an Oberlin student guitarist presented a spirited program of chamber music by Black composers.

First violinist Liyuan Xie confidently led the quartet as they kicked things off with two movements from Joseph Bologne, Chevalier de Saint-Georges’ String Quartet No. 3, Op. 1. Despite the unconventional indoor space, the small stage helped with projection and the blend between the four musicians kept a balanced timbre. (Probably best not to add any wind instruments into the mix with that echo, though.) [Read more…]

Cleveland Classical Guitar Society: Zidur Guitar Duo (Feb. 24)

by

by Kevin McLaughlin

Hermelindo Ruiz and Samuel Diz, constituents of the Zidur Guitar Duo, made their Cleveland debut on Saturday, February 24, endearing themselves to the crowd at the Maltz Performing Arts Center with an attractive program and winning personalities — two young virtuosos from out of town you’d like to meet afterwards over tapas and beer.

Ruiz, a native Puerto Rican, and Diz, Spanish-born, delighted in sharing music from their respective countries, including works by Egúrbida, Gottschalk, Rodrigo, Vide, and Acosta, plus two by Ruiz himself. While other guitarists might have been inclined to flashier repertoire, Ruiz and Diz chose milder stuff, perhaps ambassadors of a gentler sort.

[Read more…]

Zidur Guitar Duo to make Cleveland debut for Classical Guitar Society

by

by Mike Telin

The relationship between Hermelindo Ruiz (left) and the Cleveland Classical Guitar Society dates back to 2020, when the guitarist/composer became an Artist in Residence for CCGS through a Creative Fusion grant from the Cleveland Foundation. A year later, Ruiz became a CCGS Composer in Residence, writing works for young guitar players that were premiered by the students.

This week Ruiz makes his third visit to Cleveland — this time joined by Samuel Diz in the Zidur Guitar Duo. On Saturday, February 24 at 7:30 pm, the duo will make its Cleveland debut at the Maltz Performing Arts Center. The program features music from their homelands of Puerto Rico and Spain. Tickets are available online.

Ruiz was in Chicago when I caught up with him by phone and began by asking how he and Diz came to form the duo.

Hermelindo Ruiz: Through friends of mine, Samuel discovered some scores of my work and started to play my music in Europe. I am from Puerto Rico and he’s from Spain, and he started telling people about this Puerto Rican classical music composer. And that opened a lot of doors to me, including getting to go to Spain. We started playing as a duo in 2009 when we were 20 or 21 years old at the time.

[Read more…]

Jazz Meets Classical: Grammy-nominated Dan Wilson on the Cleveland Classical Guitar Society Showcase

by

by Zach Terrillion 

Classical guitar is a tradition dating back centuries. Such a long tradition is up for fresh twists and interpretations. That’s the case with this year’s Showcase Concert from the Cleveland Classical Guitar Society, which returns on Saturday, November 11 with the appearance of jazz guitarist Dan Wilson.

An Akron native, Wilson will be the first jazz musician to play at the showcase. I sat down with Wilson over Zoom to discuss his style, the surprising similarities and differences between classical and jazz guitar, George R.R. Martin, and what audiences should look forward to at Saturday’s show.

When it comes to style, Wilson considers himself a “musical omnivore,” tracing it to many different sources. His musical prowess emerged in the church with a love of gospel music. He has since taken inspiration from other genres like R&B, hip-hop, blues, and traditional jazz. He has performed with jazz greats like Joey DeFrancesco and his trio quartet, performing on his Grammy-nominated album Project Freedom, as well as with other luminaries like Van Morrison. A true omnivore, Wilson’s palate has been all-encompassing. “Whatever inspires me, I take it in.”

[Read more…]

Cleveland Classical Guitar Society: Stephanie Jones (Sept. 17)

by

by Kevin McLaughlin

The Australian guitarist Stephanie Jones brought passion and clarity to the opening concert of the Cleveland Classical Guitar Society’s 2023-24 International Series, in a program of mostly German and South American works at the Maltz Performing Arts Center on September 17. This was the first concert since CCGS moved from their cozier confines of Plymouth UCC. Whatever the acoustical challenges in the Maltz, the charisma of Jones’ playing made a clear and lasting impression.

Beginning with two movements from J.S. Bach’s Violin Partita No. 3, she employed precision and a rubato musical line, breathing life into the familiar Gavotte en Rondeau movement. [Read more…]

Cleveland Classical Guitar Society: 
the “return” of Stephanie Jones

by

by Jarrett Hoffman

There are still so many ongoing effects from the pandemic: physical, mental, economic, and most devastating of all, linguistic, specifically when it comes to the word “debut.”

In early 2021, Stephanie Jones was featured in the local music scene for the first time through a video — and a very popular one at that — recorded at her home in Munich and presented by the Cleveland Classical Guitar Society. Now, an event that also feels deserving of that word, she’ll finally be visiting Cleveland in person.

Perhaps great minds can gather and hash all this out. In the meantime, the more Stephanie Jones, the better — and on Sunday, September 17 at 3:00 pm, she will bring works by J.S. Bach, Richard Charlton, Ross Edwards, Jakob Schmidt, Quique Sinesi, Rostislav Golubov, Astor Piazzolla, and Antônio Carlos Jobim to the Maltz Performing Arts Center in a presentation by CCGS. See the full program here, and get tickets here.

I sat down with the Australian-born guitarist on Zoom and began by catching up on some life updates: since we last spoke, she has finished her master’s degree and Konzertexamen at the University of Music Franz Liszt Weimar, and is now teaching at the University of Augsburg — in addition to teaching through her Patreon, where her 25-member online studio is currently maxed out.

[Read more…]

Cleveland Classical Guitar Society: David Russell (Apr. 22)

by

by Kevin McLaughlin

For the grand finale to this season’s International Series, the Cleveland Classical Guitar Society welcomed David Russell in a much-anticipated appearance at Plymouth Church in Shaker Heights. With easygoing charm and astonishing skill, Russell delighted and flabbergasted the capacity crowd on Saturday night, April 22 in a program of familiar and unfamiliar works.

In his opening remarks, Guitar Society executive director Erik Mann announced that this would be the last CCGS concert to take place at Plymouth Church, with the series moving to the Maltz Performing Arts Center next season. The intimacy of Plymouth will be missed, but the recently refurbished Maltz will give the series an upgrade in prestige.

[Read more…]

Cleveland Classical Guitar Society: Brasil Guitar Duo (Mar. 11)

by

by Kevin McLaughlin

On Saturday evening, March 11 at Plymouth Church, the Cleveland Classical Guitar Society welcomed João Luiz and Douglas Lora, the Brasil Guitar Duo, after a four-year absence from the series.

As is customary for CCGS concerts, the evening began with a student performer. Daziel Pérez Pagán, 17, performed two short pieces. The first, written by Pagán himself when he was sixteen, was a lovely reflection called Rewoken. The second, River Flows in You, a work originally for piano by the Korean composer Yiruma and transcribed by Pagán, was beautifully played.

The Brasil Guitar Duo opened their recital with Piazzolla’s lively and sweet tango, Zita, named for the wife of Aníbal Troilo, the composer’s mentor and friend. Immediately the guitarists demonstrated warmth and technical control, qualities that remained throughout the evening.

[Read more…]

Follow ClevelandClassical.com

Contact us