by Jarrett Hoffman
Needing an encore for a concert the next day, guitarist Jason Vieaux woke up in Boston to a mild earthquake, turned on the TV to an Obama-Romney presidential debate, and thought to himself: Everybody Wants to Rule the World.
Ten minutes later, his guitar-accordina arrangement of Tears for Fears’ popular song was born. He and Julien Labro would rehearse it the next morning for fifteen minutes before performing it on WGBH and again that night in Roxbury. “We thought, it’ll really get it ready for the concert if we play it live on the radio,” Vieaux said with a laugh during a recent conversation. “It was kind of crazy, but things happen that way. It came out of professional necessity.”
The arrangement would go on to close out the duo’s 2014 Cleveland International Classical Guitar Festival performance and cap off their 2016 album Infusion — which also includes works by Piazzolla, Metheny, and Brouwer.
For the 2017 edition of CICGF, the Grammy Award-winning Jason Vieaux is taking things in a different direction. On Friday, June 9 at 7:30 pm at the Cleveland Institute of Music’s Mixon Hall, he will open the Festival with a solo program of Sor, Bach, Ponce, Ginastera, and Morel.
Following Colin Davin’s May 2013 performance at the Cleveland International Classical Guitar Festival, ClevelandClassical.com wrote: “Davin is in his twenties, and it is rare to have such a young guitarist achieve the level of sophistication and refinement that was on display throughout his distinguished program.” 
The audience in the Cleveland Institute of Music’s Mixon Hall witnessed a beautiful solo classical guitar recital on Sunday afternoon, June 4 by renowned Spanish virtuoso Ricardo Gallén, as part of the Cleveland International Classical Guitar Festival. Gallén’s audience, an appreciative mix of professional guitarists, students, and the public, heard a program of Classical works played on a small-but-penetrating Bernhard Kresse copy of a Johann Georg Stauffer romantic guitar, and music by living composers played on a larger modern guitar by Paco Santiago Marin of Spain. 
The number of recitals during the fifteenth edition of the Cleveland International Classical Guitar Festival at the Cleveland Institute of Music increased to six. ClevelandClassical correspondents attended the recitals by Jason Vieaux and Yolanda Kondonassis, Ricardo Gallén, Paul Galbraith, and Antonis Hatzinikolaou, all of which attracted large, enthusiastic audiences to Mixon Hall between May 28 and May 31.