by Daniel Hathaway
What a week at Severance Hall! On Tuesday, September 26, The Cleveland Orchestra’s revival of Leoš Janáček’s opera The Cunning Little Vixen received its third and final performance, and two days later, Franz Welser-Möst returned to the podium to lead the Orchestra in a spellbinding performance of Stravinsky’s The Rite of Spring. [Read more…]
by Daniel Hathaway
An elemental legend set to music by an imaginative composer, and performed by an exacting conductor, a first-class orchestra, a responsive, adaptable chorus, and four veteran soloists made The Cleveland Orchestra’s performance of Hector Berlioz’s La Damnation de Faust on Thursday evening, May 7 an unforgettable experience. May the houses for the two remaining concerts on Saturday evening and Sunday afternoon be packed to the rafters — a concert this gripping happens only once in a great while. [Read more…]
by Robert Rollin
On Saturday evening August 23, the Cleveland Orchestra, Blossom Festival Chorus and Cleveland Orchestra Children’s Chorus presented an exceptional concert under talented young conductor Andrew Grams. Grams served as assistant conductor of The Cleveland Orchestra, and as music director of the Cleveland Orchestra Youth Orchestra, from 2004-2007. He has guest conducted many of the world’s great orchestras, and showed excellent ensemble control and remarkable interpretive skills all evening.
The highlight was a marvelous performance of Carl Orff’s Carmina Burana (1936) scored for soprano, tenor, and baritone soloists, children’s choir, chorus and large orchestra, mixing words from both Latin and old German. The text comes from a significant collection of 12th century Latin and old German secular poems recorded in manuscript in an abbey near Munich, where German monks preserved it for future generations. Johann Andreas Schmeller published the first edition in 1847. The first performance in 1937 was a staged version, though the large majority of subsequent performances were in concert format. [Read more…]