by Daniel Hathaway

LOCAL NEWS:

The Canton Symphony goes online on Wednesdays at 6:00 pm for an interlocking series of educational programs. This week, on July 1, Assistant Conductor Matthew Jenkins Jaroszewicz talks in the second program in a six-part series about how music is constructed. The following Wednesday, July 8, in “Beyond the Music,” Executive Director Michelle Charles, Music Director Gerhardt Zimmerman, and Jaroszewicz discuss what goes into creating an orchestral season. Episodes alternate through August 26. Click here for more information and to register for the individual sessions.

Apollo’s Fire goes live for the first time since the shutdown, with a “Blues Café 1610 Renaissance-Folk Jam Session” on July 18 at Music Box Supper Club with Amanda Powell, vocals, Brian Kay, plucked instruments, and Tina Bergmann, hammered dulcimer. [Read more…]

by Daniel Hathaway

NEW ONLINE SERIES FROM EHNES & LES DÉLICES:

Violinist James Ehnes, whose third concert of all the Beethoven sonatas for the Cleveland Chamber Music Society — along with his many other scheduled performances — was nixed by the pandemic, has seized the opportunity to start something new. As he writes on his website,

While giving some online masterclasses in April, I found myself telling students over and over to create their own opportunities to share their music, and how that was more important than ever during these unprecedented times. I realized that for me as well, making my own opportunities was tremendously important, not just to keep artistically engaged, but also to hopefully find a model that can be sustainable for performing musicians during this extended time of upheaval in the industry.

[Read more…]

by Daniel Hathaway

TODAY ON THE WEB AND AIRWAVES:

Staying indoors at noon? Tune in to WCLV 104.9 Ideastream for Bruckner, Ravel, and Johann Strauss, Jr. on Lunchtime with The Cleveland Orchestra. Venturing outdoors at mid-day? Stop (or walk around) in University Circle to enjoy a carillon concert by George Leggiero from the McGaffin Tower on Euclid Avenue. This evening, your choice of Donizetti’s L’Elisir d’Amore, with Kathleen Battle and Luciano Pavarotti from the MET Opera’s HD archives, or a virtual Oberlin Summer Organ Institute concert by Jonathan Moyer and Christa Rakich on four organs in three concert halls. Details here.

VIDEOS OF NOTE:

Social media has been crackling with superlatives about 79-year-old Argentine pianist Martha Argerich’s performance this week of Chopin’s B-Minor Sonata in an empty hall in Hamburg for “Die liebe Erde allüberall” (‘Everywhere the beloved Earth’), an project by the Hamburg Symphony that aims to rethink the relationship between classical music and the Internet. Watch the performance here.

In the latest episode of One on One, Musical America interviews Trey Devey, president of the Interlochen Center for the Arts, about the five interlocking divisions of the Northern Michigan center, and how each is dealing with the pandemic. “Interlochen’s flagship, the Summer Arts Camp, founded in 1928, opens online June 28. The boarding school —  Interlochen Arts Academy — will welcome students in August in person, under a very specific re-entry plan.” Watch here. [Read more…]

by Daniel Hathaway

TODAY ON THE WEB AND AIRWAVES:

Today you can have lunch with The Cleveland Orchestra (Wagner and Brahms with Yefim Bronfman), coffee with cornettist Bruce Dickey, and dessert with Ohio Light Opera (selections from Let ‘Em Eat Cake), take a video tour of Oberlin’s organ fleet on Oberlin Stage Left, watch Massenet’s Manon from the MET Opera, and join Northeast Ohio artists in support of UNICEF. Check our Concert Listings for details.

RYAN ANTHONY OBITUARY:

Dallas-based music critic Scott Cantrell’s extensive obituary for trumpeter Ryan Anthony appears in the Dallas Morning News. Read it here.

TODAY’S ALMANAC:

On this date in 1767, the super-prolific German composer George Philipp Telemann died in Hamburg, where he had earlier used his pending appointment to cantorships in Leipzig to negotiate a raise from the Hamburg authorities (J.S. Bach, Leipzig’s third choice after No. 2 had turned them down, remained a friend). [Read more…]

by Daniel Hathaway

IN MEMORIAM RYAN ANTHONY:

Trumpeter Ryan Anthony, a graduate of the Cleveland Institute of Music who taught at Oberlin, played with Canadian Brass, and became principal trumpet with the Dallas Symphony, died on June 23 at the age of 51 after a courageous, 8-year struggle with multiple myeloma. More information will be available on the website of the organization he founded, Cancer Blows.

Among the multiple tributes that have been posted on social media, friends and fans have recommended his performances of Ennio Morricone’s Gabriel’s Oboe, and the Queen of the Night Aria from Mozart’s The Magic Flute. [Read more…]

by Daniel Hathaway

INTERESTING READS:

Today’s New York Times features pianist Spencer Myer and baritone Mario Diaz-Moresco as one of a pair of teams who are recasting a Beethoven song cycle into a “one-on-one telephonic encounter.” Read the article here.

And as food for thought, here are three articles that consider various aspects of the current state of classical music and raise questions about the future:

Writing in Oregon Artswatch, Brett Campbell asks, “in the new reality shaped by declining support for big performing institutions, likely new restrictions on big crowds, and a long overdue need for greater diversity, equity and inclusion in the arts, how should Portland and Oregon support the arts?”

In his article,  “High Culture Brought Low,” in the June 22 issue of New York Magazine, Justin Davidson writes, “The pandemic silenced our symphony halls and grand opera houses. But will the (eventual) restart bring with it a reckoning?”

And on June 21 in The Guardian, Fiona Maddox considered the future of the Arts: “Where are we now? The classical world has been transfigured. It’s still recognisable, but only invention and generosity – of money, imagination, attitude – will save it.” [Read more…]

by Daniel Hathaway

TODAY’S ALMANAC:

British tenor Peter Pears, the lifelong companion of composer Benjamin Britten, was born in Farnham on this date in 1910. Pears created many of the major roles in Britten’s operas, and the two frequently collaborated in recitals, like this one, an informal concert of English traditional songs recorded in 1964 at London’s Riverside Studios for an audience of friends.

Britten wrote almost exclusively with specific performer friends in mind. Listen here to a classic recording of his Serenade for Tenor, Horn, and Strings with hornist Dennis Brain and Peter Pears — who chose the poetry for this and many other Britten song cycles.

One year after Pears’ birth, the famous organ in John Wanamaker’s department store in Philadelphia was first played (it’s now part of the Macy’s empire). Enjoy a video that traces its history and evolution here.

On June 22, 1955, Cleveland-based composer Jeffrey Mumford was born in Washington, D.C. Winner of numerous awards and commissions, Mumford currently serves as Distinguished Professor at Lorain County Community College in Elyria. Click here to watch a performance of his 2015 work becoming… performed on March 3, 2019 by the Cleveland Institute of Music New Music Ensemble. [Read more…]

by Daniel Hathaway

ON THE LOCAL SCENE:

The Cleveland Orchestra announces “TCO Classics,” a new project curated by chief artistic officer Mark Williams that explores six decades of audio archives and includes performances that have never been broadcast before. The initial series, “The Art of Leadership,” presents excerpts from concerts conducted by music directors Franz Welser-Möst, Christoph von Dohnányi, Lorin Maazel, and George Szell, and former principal guest conductor Pierre Boulez. See the program listings and listen here. A new series will be released on the third Thursday of each month.

The Orchestra has also released episode 10 in its “On a Personal Note” podcast series. Click here to listen to “Remembering Pierre Boulez,” where principal trumpet Michael Sachs reflects on his experience with “one of the most influential figures in modern classical music — and the lasting legacy of Boulez in Cleveland.”

In order to bring a message of hope and encouragement to his adopted community, Cleveland Orchestra cellist Alan Harrell, now celebrating his 25th anniversary with the ensemble, has traveled around Cleveland playing the Prelude to Bach’s First Cello Suite, a journey that has been documented by CIM student Katarina Davies. The video attracted more than 40,000 views in less than 48 hours on Facebook. Harrell writes, “Music may not be able to solve the world’s problems, but I believe it can, as Lincoln said, ‘bind up the nation’s wounds.’” Watch the video here.

Apollo’s Fire artistic director Jeannette Sorrell announces the ensemble’s new season in a video, and comments on AF’s innovative, “no risk” subscription plan. Watch here. [Read more…]

by Daniel Hathaway

JUNETEENTH TOPICS:

Here’s a selection of resources for marking  Juneteenth — June 19, the oldest nationally celebrated commemoration of the ending of slavery in the United States.

San Francisco Classical Voice editor Michael Zwiebach recommends a list of streaming events to mark the day.

The Harvard Gazette asked faculty members to discuss the books they recommend for those who want to expand their understanding of systemic racism, white privilege, and the long legacies of slavery and white supremacy in American history. View the reading list here.

And on the same campus, the Radcliffe Institute, the anchor institution for Harvard and the Legacy of Slavery, asked members of the presidential committee guiding the initiative to reflect on the significance of Juneteenth. Read “Greeting Juneteenth with Remembrance, Resolve, and Hope” here.

In Thursday’s Diary, we noted that The Music Critics Association of North America has named Jeanine Tesori’s and Tazewell Thompson’s Blue, premiered last summer at the Glimmerglass Festival,  as Best New Opera of 2019. As a follow up, read a New York Times article by Thompson where he discusses “My journey to writing an opera about police violence.” [Read more…]

by Daniel Hathaway

TODAY’S NEWS BRIEFS:

The Music Critics Association of North America has named Jeanine Tesori’s and Tazewell Thompson’s Blue as Best New Opera of 2019. Premiered last summer at the Glimmerglass Festival, the opera “centers on the hopes and fears of a young black couple as they raise a son in 21st-century America.” Read Vivien Schweitzer’s story about the award on Classical Voice North America here, and watch a Glimmerglass preview video here.

American Public Media has announced the cancellation of Chris Thile’s Live from Here, the successor to A Prairie Home Companion. Read the Billboard article here.

OBSERVING JUNETEENTH TOMORROW:

Friday’s diary will be full of links to black composers and musicians, and discussions about the persistence of racism in classical music. As a prelude to that subject, watch Hidden No More: Classical Music by Artists of African Descent, “an introduction to an epic story of Classical Music by Black Composers and Musicians — a story of genius, racial injustice, and the start of a cultural awakening.” The brief video, narrated by William J. Zick, was produced by africalassical.com, which features profiles of 52 composers, conductors, and instrumentalists of African descent, including several with connections to Northeast Ohio. [Read more…]