by Daniel Hathaway
Baroque music reaches some of its loftiest heights in concertos, and those by Antonio Vivaldi (who left us some 500) and Johann Sebastian Bach (who seeded his cantatas with concerto-like movements, wrote a collection of six famous concertos, and rearranged — or lost — goodness knows how many others) are among the most popular with ensembles like Apollo’s Fire.
On Friday, November 17, the ensemble brought its program “Fire & Joy: from Bach & Vivaldi” to Lakewood Methodist Church as a stop on its local tour that included performances in Akron, Cleveland Heights, and University Circle. Artistic Director Jeannette Sorrell chose concertos by Vivaldi and Bach, pairing them with brief Bach cantata sinfonias.
The concert began with Vivaldi’s D-minor Double Violin Concerto — which Bach arranged for organ during his time at Weimar, when Italian orchestra concertos were all the rage. [Read more…]
An audio recording does not do Fire & Grace & Ash justice. In their 2019 album, Partita Americana, the trio — Edwin Huizinga, violin, William Coulter, guitar, and Ashley Hoyer, mandolin — brought first-rate musicianship to a melting pot of classical, bluegrass, and folk music. It’s a record that’s impressive enough on its own, but it paled in comparison to the trio’s live, in-person concert on April 30 at St. Malachi Church.
“Music is something that throughout time has developed different flavors around the world,” violinist Edwin Huizinga said during a Sunday morning telephone conversation.
To create their latest album, violinist Edwin Huizinga and guitarist William Coulter drew inspiration from the natural world. The duo, known as Fire & Grace, recorded their third project together among the redwoods of Northern California.
Any talk show worth its weight possesses three qualities: a host who is knowledgeable of the subject matter, guests who are engaging conversationalists, and a feeling that by the end of the program, you’ve learned something.
