by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway

Although it goes by the name of Symphony No. 60, Haydn’s six-movement work is really a suite recycled from the incidental music to Die Zerstreute, the German reworking of a comedy by Jean-François Regnard staged at the Esterházy Court. The plot concerns an unfocused daydreamer, Leander, who is pushed into a romance with Isabelle by her Parisian mother — but, of course, Isabelle has her eyes on someone else.
You can count on Haydn to be witty, but Il distratto finds him reveling both in sophisticated humor and low-hanging jokes (e.g. subtle musical references to Leander’s distractedness, and a sudden, noisy tuning session by the violins in the finale that had the audience giggling.) [Read more…]
by Mike Telin

Although the program was to have included Dvořák’s violin concerto, yesterday the orchestra announced: “With deep regret, and on the advice of his physician, William Preucil is unable to perform as soloist this week with the Orchestra due to a pinched nerve.”
“I will miss Bill because I was looking forward to working with him immensely,” Jakub Hrůša told us this afternoon by telephone. “But the most important thing is for him to recover.”
Dvořák’s violin concerto has now been replaced with the composer’s symphonic poem The Golden Spinning Wheel. “I think it was a most natural decision, apart from replacing the soloist — which nobody wanted, me included.” Hrůša does think it was a very good idea to replace the concerto with one of the composer’s orchestral works. [Read more…]