By Peter Feher
On Saturday, Nov. 23 at University Circle’s Church of the Covenant, the outstanding BlueWater Chamber Orchestra transported listeners across the Atlantic with a pleasantly English program of Gerald Finzi, Ralph Vaughan Williams, and Franz Joseph Haydn. Artistic director Daniel Meyer described his affinity for this repertoire — and explained how Haydn happens to qualify as an “honorary Englishman” — in several amiable asides throughout the evening.
Yet the focus of this concert was undoubtedly on the exceptional caliber of musician that one can find right here in Cleveland.
Violinist James Thompson — a Northeast Ohio native, graduate of the Cleveland Institute of Music, member of the Chamber Music Society of Lincoln Center, as well as BlueWater’s guest concertmaster this season — was the star of the night. He soared while soloing in Vaughan Williams’ The Lark Ascending, that sentimental favorite that somehow never loses its shine.
Fate — as represented by “Es muss sein” (it must be), Beethoven’s enigmatic motto tucked in the last movement of the 
Over the past few weeks, area musicians and performing arts organizations have presented concerts on front porches, parking lots, and even at a baseball field. Another obvious place would be a spacious backyard — should you be lucky enough to have one.
In a recent concert by the Cleveland Institute of Music’s New Music Ensemble, Keith Fitch — CIM’s composition department chair, and the ensemble’s director — demonstrated his penchant for effective curation. His own new composition, 
