by David Kulma

by David Kulma
by David Kulma

by Jarrett Hoffman

The conservatory’s New Music Ensemble, directed by Keith Fitch, will celebrate the 100th birthday of that classic work with the premiere of a new film: a commission from Cleveland-based video artist Kasumi, to be played simultaneously with the music. (The concert is free, and will also be live-streamed.)
And if you’re at all familiar with the work of Kasumi, you know you’re in for a fascinating, perhaps harrowing ride.
The trailer gives a taste of her style, in which she splices together images from mid-century B-movies, commercials, and training films from the public domain — images which are “completely direct,” as Kasumi told us during an interview last year. “The acting is so bad and corny that it conveys emotion in shorthand — it becomes a symbol, like a stop sign. If you weave together these tiny gestures, you get all kinds of nuances of emotion.”
by Daniel Hathaway
German-American composer Kurt Weill called his Street Scene an opera, but there are enough influences from the other side of musical theater to make the piece an intriguing hybrid. Oberlin Opera Theater explored all the facets of Weill’s 1947 “Broadway opera” in its masterful production in Hall Auditorium on Wednesday evening. [Read more…]