by Mike Telin

by Mike Telin

by Mike Telin
Next week marks the fifteenth installment of the Cleveland International Classical Guitar Festival. Beginning at 10:00 am on Thursday, May 28 and continuing through Sunday evening, May 31 at the Cleveland Institute of Music, CICGF will present recitals and master classes by Antonis Hatzinikolaou (Greece); Nigel North, lute (England); Jason Vieaux and harpist Yolanda Kondonassis (USA); Paul Galbraith (Scotland); Ricardo Gallen (Spain); Duo Melis (Susana Prieto, Spain, and Alexis Muzurakis, Greece); and Pavel Steidl (Czech Republic). See our concert listings page for days and times.
Mike Telin

The program also includes Mozart’s Overture to The Marriage of Figaro and Oboe Concerto with ASO principal oboist Terry Orcutt as soloist, as well as Elgar’s Serenade for Strings and de Falla’s El amor brujo. The concert begins at 8:00 pm in the University of Akron’s E.J. Thomas Hall.
Composed in 1939, Rodrigo’s Concierto de Aranjuez is without a doubt the composer’s best-known work. “It is a popular piece and deservedly so,” Vieaux said during a recent telephone conversation. “The second movement is a masterpiece. As a guitarist, I am a little biased, but I think it’s so cool how the solo line brings the entire concerto to a climax at the end of the second movement cadenza. Rodrigo understood the guitar well enough to make sure it was at its very loudest during those ten-note flourishes.” [Read more…]
by Mike Telin

Today we continue our discussion with Azica Records founder and recording engineer Bruce Egre (left) and classical music producer Alan Bise (right). Following an informative conversation about guitarist Jason Vieaux’s Grammy-nominated album Play, on Azica, and the nominating process, the topic turned to the ever-evolving recording industry.
I began by asking Egre and Bise to comment on the belief held by many: that the classical music recording industry is on its way to extinction. “No, I don’t think it’s dead and it won’t die. People are simply consuming the music differently, like streaming,” Bruce Egre commented. He added that while streaming is good for the consumer, in financial terms it’s not necessarily good for the artist or the label. [Read more…]
by Mike Telin

The album, released in January 2014 by Cleveland’s Azica Records, includes showpieces by Barrios, Sagreras, Bustamante, and Sainz De La Maza, as well as Tárrega’s Recuerdos de la Alhambra and Capricho Arabe, Vieaux’s own arrangement of Duke Ellington’s In A Sentimental Mood, and Andrew York’s Sunburst, which had “Encores” as its original working title.
“The album is a culmination of Jason’s twenty years as a touring artist, a retrospective of encores,” Azica’s Bruce Egre, who engineered the recording, said in a recent conversation. “It took us months to figure out the title,” said producer Alan Bise. “We wanted it to say something interesting without becoming cheesy.”
How much does a title really matter these days? “That’s a good question,” Egre said. “With so much product coming out, especially in the classical world, you need to put something out there that is a little bit distinctive. What do you call an album of Haydn string quartets?” They settled on Play, and Egre admitted that the title has grown on him. [Read more…]

by Mike Telin

by Carlyn Kessler, Special Contributor

Vieaux and Labro, who have been collaborating for the past four years, will perform a varied program consisting of works by Brouwer, Gnatalli, Metheny and Piazzolla. In a recent conversation, Vieaux, who is the head of the CIM guitar department, described the formation of their musical duo. Vieaux, who describes himself as a jazz enthusiast, heard Labro playing accordion with his group Hot Club of Detroit four years ago at Cleveland’s Nighttown.
Vieaux said that the group did not intend to transport the audience back to the 1930’s, but instead “used instrumentation as a springboard for new ideas.” Both Vieaux and the crowd were “knocked out” by Labro’s solo playing. Vieaux and Labro chatted after the performance and discovered that they were “fans of a lot of the same kind of music.” [Read more…]
by Daniel Hathaway, James Flood & Mike Telin

Jason Vieaux
Representing the host of Classical Guitar Weekend, Cleveland Institute of Music guitar professor Jason Vieaux sometimes caps off the weekend’s activities, but this time was the headliner for Thursday evening’s opening concert. After playing a sweet and beautifully layered performance of Fernando Sor’s Bagatellle, op. 44, no. 3, Vieaux told the audience that he had decided to revisit repertory he had played over the years at Classical Guitar Weekend, after working on some of the pieces on the program with students and recalling how much he liked them. [Read more…]