by Kevin McLaughlin

Poise was tested early, as no sooner had our musicians sat down to begin when a stentorian “Ah-choo!” boomed out from somewhere in the audience. Startled, Robinson nodded in the sneezer’s direction with a good-natured, “You scared me!” [Read more…]




While it is common to discover that a trio of musicians all attended the same conservatory or university, it is not so common to discover that the trio all attended the same high school. “Hyunsoon and I were in high school together at the North Carolina School of the Arts,” cellist Keith Robinson said during a recent phone call. “In fact, Dan went there too.”
One instrument can make a world of difference. The clarinet took top billing on Friday, June 25, in a free chamber program at Pepper Pike’s Church of the Western Reserve, the first live performance back after more than a year for the CWR Concert Series.
After greeting an in-person audience the night before at Shrine Church of St. Stanislaus, a mixed quartet from CityMusic Cleveland performed for an audience unseen on Saturday, May 15, thanks to the live-streaming capabilities of the Maltz Performing Arts Center.
The Miami String Quartet brought a traditional approach to works by Haydn, Beethoven, and Bruch during their performance on July 10 as part of Kent Blossom Music Festival’s Faculty Concert Series. The group delivered their old-school sound with exuberance, and welcomed acclaimed pianist Spencer Myer to shine in the Beethoven. 
While November has only recently arrived, many people find themselves already planning for Thanksgiving. For some in our community, however, such planning isn’t as simple as deciding who will cook the turkey and who will bake the pies. Tens of thousands of people in Northeast Ohio will instead be wondering if they’ll have food at all for Thanksgiving,
On Wednesday evening, July 6, the Miami String Quartet and pianist Spencer Myer gave a thrilling concert in Ludwig Recital Hall at Kent State University. This installment of the Kent/Blossom Faculty Concert Series showcased two short but fiery string quartets — Ludwig van Beethoven’s “Serioso” in f, Op. 95 and Gabriela Frank’s Milagros (“Miracles”) — as well as Johannes Brahms’s Piano Quartet in g, Op. 25. 
Learning and putting together Olivier Messiaen’s Quartet for the End of Time is a scramble against time. The piece features complicated rhythms (sometimes notated without time signatures), infinitely long phrases, and complicated layering of parts. György Ligeti’s Horn Trio and Schoenberg’s First Chamber Symphony are similarly difficult works. But students at Kent/Blossom Music Festival (KBMF) are assigned to learn them in two weeks for performance.