by Mike Telin
This weekend No Exit will take a short break from performing and put on their presenter hat when they host Aether Eos — the duo of violinist/composer/visual artist Leah Asher and pianist/composer Christopher Goddard — on Sunday, March 3 at 3:00 pm at Heights Arts and Monday the 4th at 7:30 pm at Kent State University’s Ludwig Recital Hall. Both performances are free.
Their varied program will explore a kaleidoscope of expressive states in Tonia Ko’s plush earth in four pieces, Carrie Frey’s Seagrass/Reed, Giacinto Scelsi’s Chemin du Coeur, Linda Caitlin Smith’s Unbroken, and Michael Hersch’s the wreckage of flowers.
“A lot of people have preconceived ideas about what free improv is, and that it means everything is totally random,” violinist Leah Asher said in a recent interview, speaking from her home in New York City. “But there is a total spectrum of the amount of determinacy in music, and I like to think about where I am on that spectrum.” Also a violist, composer, and visual artist, Asher recently recorded a series of improvisations for the Cleveland Uncommon Sound Project’s 2021 Re:Sound Festival.
June 8 was the busiest day for the Re:Sound Festival, with three concerts around the city. I heard the first two, beginning in the afternoon at Praxis Fiber Workshop, where the duo Dykes & Young set a high bar for the acts that would follow over the course of the day. 
“We look forward to smashing the heteropatriarchy with you,” cellist Benjamin Swartz said before performing a program of Sofia Gubaidulina, Tamar Diesendruck, and Kaija Saariaho with Boston-based string trio Sound Energy. The group closed the second concert of this year’s Re:Sound New and Experimental Music Festival on Friday June 7 at The Magalen, which featured a sensational first half by the Berrow Duo and made a strong case for the many daring voices of 21st century composers.