by Stephanie Manning

The performance in Baldwin Wallace’s Gamble Auditorium lasted just over an hour, a pleasant surprise when many orchestral programs often double that. And it would have been even shorter had the group not repeated Donald Erb’s Spatial Fanfare. Clocking in at less than two minutes, the opening work was over in a flash — so conductor Steven Smith explained that the group would repeat it to help the audience soak it in.




Modernity — with its fresh inventions, sounds, and sensations — often inspires us to respond in kind. We are in constant dialogue with our environs. We listen. We talk back. We create reflections of our experience. This was certainly the case in last Sunday’s Cleveland Composers Guild concert (October 11), which filled Drinko Hall at Cleveland State University with an array of new resonances.