by Jarrett Hoffman
Next week, a series of concerts by CityMusic Cleveland, led by music director Avner Dorman, will aim to unite the Jewish and Arab communities, promote togetherness in Greater Cleveland, and emphasize the value of preserving the arts — regardless of culture. Titled “Two Faiths: One Spirit,” the series was inspired by stories of priceless religious texts that were rescued by people of other faiths.
The musical centerpiece of the series is Bosnian-born Merima Ključo’s Sarajevo Haggadah: Music of the Book, featuring the composer on solo accordion. The work will receive its world premiere in a new orchestrated version commissioned by CityMusic Cleveland.
Also included on the program are works by Kareem Roustom, Behzad Ranjbaran, Tom Cohen, and Josef Bardanashvili — composers whose roots stretch from Syria to Iran, Georgia, and Israel. Six free performances run from March 14-18 in Beachwood, Cleveland, Parma, Lakewood, and Elyria (see our Concert Listings for times and locations).
Composer Erwin Schulhoff, who perished in the Holocaust, wrote in his 1919 avant-garde music manifesto: The idea of revolution in art has evolved for decades…This is particularly true in music, because this art form is the liveliest, and as a result reflects the revolution most strongly and deeply — the complete escape from imperialistic tonality and rhythm, the climb to an ecstatic change for the better.
As you enter the Violins of Hope exhibit at the Maltz Museum for Jewish Heritage, the first thing you see is a wall legend:
What may be the largest group of Cleveland cultural institutions ever to circle their wagons around a single project will come into play this fall when Case Western Reserve University, the Cleveland Institute of Music, The Cleveland Orchestra, Facing History and Ourselves, Ideastream, the Jewish Federation of Cleveland, and the Maltz Museum of Jewish Heritage join together to present Violins of Hope Cleveland.