by Nicholas Jones
In the final act of The Merchant of Venice, Shakespeare gives this eloquent warning:
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils;
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted. Mark the music.
Essentially, don’t trust anyone who doesn’t love music. [Read more…]
by Daniel Hathaway
On Saturday evening, June 18 at the Maltz Performing Arts Center, Jewish patriarchs, matriarchs, and rabbis held works by Haydn, Kljuco, Britten, and Golijov in their embrace for a ChamberFest Cleveland concert titled “Isaac’s Dreams.” No matter how closely the pieces adhered to the theme, the performances were uniformly superb. [Read more…]
by Daniel Hathaway
ChamberFest Cleveland’s concerts organize chamber works under imaginative themes. On Friday evening, June 17 in Reinberger Chamber Hall at Severance, the connective tissue that linked works by Bridge, Dvořák, Kurtág, Beethoven, and Brahms in a concert titled “To My Distant Beloved” was the idea of separation anxiety. [Read more…]
by Mike Telin
The third in a series of articles highlighting ChamberFest artists
Musical inspiration can be found in many forms, from the literary — revolving around stories including the profane and the divine — to the spinning of dreams. For the 2016 edition of ChamberFest Cleveland, running from June 15 through July 2, the twelve concerts presented under the theme Tales & Legends will take listeners on journeys that will explore the fantastical, the mystical, and the obsessive.
This year’s Festival programs will feature many programmatic firsts, one of which is the inclusion of vocal music — and there’s no better way to tell a story than through words set to music.
When mezzo-soprano Lauren Eberwein was forced to withdraw for health reasons, ChamberFest was fortunate to be able to secure the services of the young Canadian mezzo Marjorie Maltais. [Read more…]