by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway

By Guytano Parks

“Hooray for Hollywood” appropriately opened the program in an invigorating and colorful arrangement by John Williams. Kaufman’s direct, no–nonsense conducting served this syncopated and accented score well, for toe–tapping and hum–along music. [Read more…]
by Daniel Hathaway
The Cleveland Orchestra’s new concert series, Summers@Severance, offers a one-hour-or-so performance by the orchestra on three Friday evenings at 7:00 pm, bracketed by a party with drinks and small plates served on the Front Terrace. The concept seems to have caught on quickly, and judging from the number of audience members snapping cell phone pictures of the Severance Hall interior, brought many first-time listeners to hear the Orchestra on opening night, August 1. [Read more…]
by Daniel Hathaway

It was a weekend of replacements. Albrecht agreed some weeks ago to step in for Pierre Boulez, necessitating a complete change in repertoire, and mezzo-soprano Sasha Cooke filled in on much shorter notice for Alice Coote, who had to cancel due to a family illness. I heard the Thursday concert.
Mahler’s Blumine is an unassuming, sentimental little piece that seems to have wandered in from a cabaret — or maybe from the pit of a theater orchestra, judging by its instrumentation. [Read more…]
by Mike Telin

Mike Telin: Thank you so much for taking the time to talk, I think this is going to be an exciting concert. I am wondering why you chose to perform the Neruda concerto?
Michael Sachs: Outside of the trumpet world it is not that well known of a piece. But it is a piece that is kind of in the vein of both the Haydn and Hummel concertos. It is a piece that I have been playing for a while, and I have often performed it in recital with piano and with organ. I have also recorded it with Todd Wilson at the organ, in recital about five years ago.
MT: Yes and I understand that you will be signing copies of the recording at the Cleveland Orchestra store following this week’s concerts?
MS: Yes I will, and I believe it will be after all of the concerts except for the Friday concert, because the Fridays @ 7 has the special things happening after the concert with Jamey Haddad and his guest artists. So I believe it will be on Thursday, Saturday and Sunday.
MT: I was doing a little reading about the Neruda concerto, and I discovered that it was originally written for Corno de Caccia, have you ever performed it on that instrument?
MS: I have not, but the Corno de Caccia is an interesting instrument, I don’t know if you have seen a picture of it, but it kind of looks like a small-coiled horn very similar to a posthorn, which is what I would use for the offstage solo in Mahler’s 3rd symphony. [Read more…]

Mike Telin: Thank you so much for taking the time to talk and congratulations on all of your successes during the past few months.
Bernard Labadie: Thank you very much, and it has been a very good year.
MT: In addition, you will be making your Cleveland Orchestra debut next week.
BL: Yes, absolutely. It is quite exciting actually.
MT: You also made your Metropolitan Opera debut this season.
BL: Yes and I also did my Concertgebouw debut as well.
MT: We must not forget the rave reviews you received for your New York performances of Handel’s ‘Messiah’ and the Bach ‘Christmas Oratorio’ with Les Violons du Roy and La Chapelle de Quebec.
BL: Yes, the performances went very well.
MT: Regarding the program for next week, I see you are doing Handel’s ‘Water Music’. Will that be the complete or just one or two of the suites.
BL: We’ll be doing all three suites, so that will be the whole second half. It is actually a very substantial second half.
MT: The first half will be the Neruda ‘Trumpet Concerto’ with Michael Sachs as well as your own arrangement of a suite from Rameau’s opera ‘Dardanus’. Can you tell me a little bit about the Rameau? [Read more…]