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CIPC Gold Medalist Nikita Mndoyants to play first area recital in Hudson October 16

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by Daniel Hathaway

Nikita-Mndoyants-2When 27-year-old Russian pianist Nikita Mndoyants won first prize in the 2016 Cleveland International Piano Competition in August, he walked off with a handsome cash prize. Even more valuable, perhaps, was the rest of his award package, which included a future CD recording, a New York debut at Carnegie Hall, and three years of concert engagements and management.

Mndoyants will play his first area post-competition recital on the Music From The Western Reserve Series on Sunday, October 16 at 5:00 pm in Christ Episcopal Church in Hudson. The program includes works that helped him rise to the top of the Cleveland competition: Joseph Haydn’s Sonata in E, Hob. XVI:31, Franz Schubert’s Sonata No. 19 in c, and Sergei Prokofiev’s Sonata No. 7 in B-flat, Op. 83, “Stalingrad.” [Read more…]

Music from the Western Reserve: Factory Seconds in Hudson (Feb. 21)

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by Daniel Hathaway

Factory-SecondsThe names Johann Sebastian Bach, Ludwig van Beethoven, and Johannes Brahms are ubiquitous on concert programs. But Marius Flothuis, Arthur Meulemans, Norman Sherman, Robert Marek, and Arthur Frackenpohl? Not so much. So it was refreshing to encounter a whole set of new compositional personalities on the concert by Factory Seconds Brass Trio on Sunday afternoon, February 21, part of the 33rd season of Music from the Western Reserve at Christ Church, Hudson. [Read more…]

Review: Music from the Western Reserve — pianist Caroline Oltmanns (September 15)

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by Daniel Hathaway

Oltmanns-CarolineYoungstown State University piano professor Caroline Oltmanns launched the new season of Music From The Western Reserve’s distinguished concert series at Christ Episcopal Church in Hudson on Sunday afternoon with an engaging hour of music by Schubert, Beethoven, James Wilding and Chopin. Oltmann’s easy confidence as a performer and her skill as a commentator drew the nice-sized audience in as though listeners and performer were gathered together in an intimate living room.

The centerpiece of the afternoon was Beethoven’s “Waldstein” Sonata, op. 53, which Oltmanns prefaced with the intelligence that the sonata’s earlier nickname was L’Aurore (Dawn) and with the caveat that this would, at 25 minutes, be the most demanding listening assignment of the afternoon. She dispatched the work with a refreshing straightforwardness and relaxed tempos which allowed the music to breathe in places where other pianists press nervously ahead. The final prestos gained extra character from that approach.

[Read more…]

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