by Stephanie Manning
The Meridian Arts Ensemble specialize in the avant garde, but they’re dextrous enough to flip between all kinds of genres. So, what was Joseph Haydn’s Feldpartie — written in 1780 — doing on the program next to George Lewis’ uber-contemporary Tightrope? Quite a lot, as it turns out.
Presented by No Exit, the brass quintet’s November 8 concert at the Bop Stop had something to satisfy fans of modern and traditional music alike. The cheery Feldpartie, appearing just after intermission, balanced out some of the evening’s more thorny works.
Originally written for an outdoor band, this arrangement by trumpet player and group founder Jon Nelson allowed the five players to anchor themselves in a satisfying blend. Nelson, fellow trumpet player Matthew Onstad, horn player Daniel Grabois, trombonist Faustino Díaz Mendez, and tuba player Tom Curry treated the charming mini symphony with love and care. [Read more…]
For the past eight months No Exit has been celebrating their 15th anniversary with their most ambitious project to date: 
For the recent set of concerts in their season-long celebration of the surreal, No Exit turned to two pivotal events in the history of dadaism for inspiration — the 1920 Festival Dada and the 1923 Soirée du Coeur à Barbe. This program, “Piano Dada,” included works of poetry, theater, and music that were performed at those historic Paris festivals. I attended the performance on March 16 at Heights Arts.
It’s got to be a daunting task to create something even more surreal than what we wake up to every morning in our 21st-century world, but Timothy Beyer and his No Exit new music ensemble are pulling that trick off with élan in their 