by Mike Telin
For over three decades the Meridian Arts Ensemble has been enthralling audiences with their virtuosic performances of envelope pushing repertoire. This week the Meridian — Jon Nelson and Matthew Onstad (trumpets), Daniel Grabois (horn), Faustino Díaz Mendez (trombone), and Tom Curry (tuba) — will return to Cleveland courtesy of No Exit.
Performances are on Thursday, November 7 at Trinity Cathedral, Friday, November 8 at The Bop Stop, and Saturday, November 9 at Baldwin Wallace University’s Kulas Music Hall. The program will include Daniel Grabois’ Drift (2021), Moshe Shulman’s Subito (2009), George Lewis’s Tightrope (2023), Franz Joseph Haydn’s Feldpartie (1780), and David Sanford’s Credo (2021). All performances begin at 7:00 pm and are free.
For the past eight months No Exit has been celebrating their 15th anniversary with their most ambitious project to date: 
For the recent set of concerts in their season-long celebration of the surreal, No Exit turned to two pivotal events in the history of dadaism for inspiration — the 1920 Festival Dada and the 1923 Soirée du Coeur à Barbe. This program, “Piano Dada,” included works of poetry, theater, and music that were performed at those historic Paris festivals. I attended the performance on March 16 at Heights Arts.
It’s got to be a daunting task to create something even more surreal than what we wake up to every morning in our 21st-century world, but Timothy Beyer and his No Exit new music ensemble are pulling that trick off with élan in their 
