by Staff

McCalmont is completing his second year at Oberlin where he is a double degree student majoring in Classics and Musical Studies with a focus on Greek and Latin literature and Wagnerian opera. “I am incredibly grateful for this opportunity,” he said. “As an aspiring music writer, I will gain great journalistic experience through this fellowship by writing reviews and previews, and conducting interviews with artists.” [Read more…]







When Robert Walters performs the world premiere of Bernard Rands’ Concerto for English Horn with The Cleveland Orchestra on Friday, November 27 in Severance Hall, it will bring to fruition a composer-performer collaboration whose roots go back more than two decades.
Oberlin’s historical flute professor Michael Lynn has devised a whole day of events celebrating the little-known world of 19th century French flute music. On Saturday, October 31, Lynn will team up with flute professor Alexa Still, fortepianist David Breitman, the Conservatory’s music history department, the Conservatory Library, and the Frederick R. Selch Center for Music History, to shine light on a neglected subject through lectures, a concert and an exhibition.
Stephen Hartke will become Professor of Composition and Chair of the Composition Department at the Oberlin Conservatory of Music on July 1, 2015. Hartke, who draws his inspiration from sources ranging from medieval music to the blues, comes to Ohio after serving as Distinguished Professor of Composition at the Thornton School of Music at the University of Southern California, where he has taught since 1987.
Oberlin Conservatory students packed Stull Recital Hall on Thursday, February 5 for a performance by Brooklyn-based chamber music ensemble PROJECT Trio. The group, made up of flutist Greg Pattillo, cellist Eric Stephenson, and bassist Peter Seymour, met while studying at the Cleveland Institute of Music, and now they are performing concerts around the globe. In their return to Northeast Ohio, they brought their distinctive style of music-making and their accompanying message of charting a unique pathway in the world of music.
“I was trying to play Telemann in the subways, I really was,” said PROJECT Trio flutist Greg Pattillo. “And no one really cared. But you play a funny video game tune with the beatbox, and people did stop, and they did care to listen.”